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Tumblr crosspost (1 May 2020)
An anon asked:
So many people take it for granted that Elizabeth Bennet is Austen's self-insert, and some even criticize Elizabeth as a character for it (e.g. "annoying author avatar Mary Sue"). But in a post you wrote long ago criticizing "Becoming Jane," you argued against that assumption. Would you mind sharing more about why you think "Elizabeth = Austen" is wrong?
I replied:
I honestly have no memory of that post, but I can take a stab at it.
I’ve definitely seen quite a bit of the idea that Elizabeth is more or less Austen herself, transplanted into a wish-fulfillment narrative—even in scholarship. (My first paper in my PhD program went off on a tangent that was basically ‘wtf???’ at scholars doing that.) And I’ll say right off the bat that I think the whole concept is incredibly condescending towards Austen, so I would dislike it on general principle anyway.
That aside, it ignores something that a lot of takes on P&P and Elizabeth in particular ignore, even though it’s the central narrative of the whole book. Yes, Elizabeth is charismatic and witty and vibrant and a truly good, loving person with a strong sense of her own value. She’s almost always likable. In fact, she’s considerably more charming and good-natured than Austen herself seems to have been (making the author insert thing even weirder).
But Elizabeth is wrong.
Not about everything, of course. But she’s so committed to her (frequently reductive) ideas about the world, to her ability to assign people to (sometimes) vaguely accurate categories, to personal charm as the primary index to inner character, to what flatters her vanity, that it leads her to repeated and increasingly significant mistakes in judgment. The turning point of the book is Elizabeth’s realization of this and it drives her character arc from then onwards. And that arc is the main one of the book, which sometimes gets overlooked.
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So many people take it for granted that Elizabeth Bennet is Austen's self-insert, and some even criticize Elizabeth as a character for it (e.g. "annoying author avatar Mary Sue"). But in a post you wrote long ago criticizing "Becoming Jane," you argued against that assumption. Would you mind sharing more about why you think "Elizabeth = Austen" is wrong?
I replied:
I honestly have no memory of that post, but I can take a stab at it.
I’ve definitely seen quite a bit of the idea that Elizabeth is more or less Austen herself, transplanted into a wish-fulfillment narrative—even in scholarship. (My first paper in my PhD program went off on a tangent that was basically ‘wtf???’ at scholars doing that.) And I’ll say right off the bat that I think the whole concept is incredibly condescending towards Austen, so I would dislike it on general principle anyway.
That aside, it ignores something that a lot of takes on P&P and Elizabeth in particular ignore, even though it’s the central narrative of the whole book. Yes, Elizabeth is charismatic and witty and vibrant and a truly good, loving person with a strong sense of her own value. She’s almost always likable. In fact, she’s considerably more charming and good-natured than Austen herself seems to have been (making the author insert thing even weirder).
But Elizabeth is wrong.
Not about everything, of course. But she’s so committed to her (frequently reductive) ideas about the world, to her ability to assign people to (sometimes) vaguely accurate categories, to personal charm as the primary index to inner character, to what flatters her vanity, that it leads her to repeated and increasingly significant mistakes in judgment. The turning point of the book is Elizabeth’s realization of this and it drives her character arc from then onwards. And that arc is the main one of the book, which sometimes gets overlooked.
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