Nominations!

Jan. 25th, 2026 07:34 pm
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[personal profile] extrapenguin in [community profile] space_swap
Noms are OPEN and run until Tue 3 Feb 17:00 CET (in your timezone | countdown)

Tags that do not conform to these instructions will not be approved.


Please disregard everything AO3 says on the "nominate" page. Do NOT choose the canonical versions (offered by the dropdown) of whatever tag you're nominating. Tags are NOT restricted to characters only. Thank you. (AO3 doesn't let mods adjust what's on the nominations page.) If you have questions, please ask!


Please check what was agreed for your fandom on the franchise wrangling post. Write the fandom's name based on what was decided there. If your fandom has not been discussed on the franchise wrangling post, use the AO3 canonical. Please do not use "- All Media Types" tags unless decided on the franchise wrangling post. Please add the fandom name (or easily understandable abbreviation thereof) in (brackets) after the tag you are nominating. If nominating a crossover between two space canons, that is allowed; nom it under Crossover Fandom. (Allowed kinds of crossover tags for 2026: Relationship: Shmi Skywalker (SWPT) & Aeryn Sun (Farscape), Character: Jean-Luc Picard (TNG) in Mass Effect: Andromeda)

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Birdfeeding

Jan. 25th, 2026 12:32 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
It snowed yesterday, probably about 4 inches.  The ground is covered.  The trees still have a little sticking to them, but this is light fluffy snow so most has already fallen off.  The temperature is frigid.

I haven't been out to feed the birds yet, but they're active.  I've seen a flock of sparrows, a flock of mourning doves, two starlings, and a downy woodpecker.









.
 

Heated Rivalry (TV)

Jan. 25th, 2026 12:16 pm
lannamichaels: Text: "We're here to heckle the muppet movie." (heckle the muppet movie)
[personal profile] lannamichaels


What I knew before going in: this is serial-numbers-very-very-very-slightly-filed-off Sidney Crosby/Alexander Ovechkin RPF. There's a lot of sex scenes. There is a cup kiss on ice.

Then I watched it )

Theater review: Octet

Jan. 25th, 2026 10:53 am
troisoiseaux: (fumi yanagimoto)
[personal profile] troisoiseaux
Saw Studio Theatre's Octet, a beautiful, baffling a cappella chamber musical by Dave Malloy of Natasha, Pierre, and the Great Comet of 1812 and Ghost Quartet fame, set at a support group for internet "addicts." (When you walked in, everyone's phones were locked away in special pouches, and there was a little table of coffee and cookies to one side that was both a set piece/prop and for the audience to take— you, too, are at this meeting.) Staged in the round with minimal set - a circle of church-basement plastic chairs on the stage; a wider circle of ultimately plot-relevant lamps outside of it - and only a few more props, and absolutely gorgeous, musically. I don't know enough about music to explain it, but the cast of eight performed almost entirely a cappella - only the occasional harmonica, tambourine, bass drum stick against plastic chair, and/or, for one song, a pair of dick-shaped maracas (look, it is a musical about the internet) as non-vocal instruments - and you could hear how their voices layered together, creating this beautiful, rich, complex music, with a classical, almost hymn-like sound meets - when not getting metaphorical with it - bluntly modern lyrics. (In one song, "Fugue State", one part features a couple of voices repeating numbers in a pattern that I recognized way too quickly as the game 2048.)

Narratively, it was a bit baffling, and having read the Wikipedia pages and Genius lyrics annotations afterwards raised more questions than answers. The first two-thirds or so rather straightforwardly tackle the theme of digital dependence/the internet and what it is doing to our brains: getting #cancelled, Candy Crush, discourse, dating apps, incels, porn, conspiracies, snuff films, insomnia, fried attention spans and a lack of real-world connection. (This was originally staged in 2019, so no generative AI.) And then things get weird: ... )

Fun guy?

Jan. 25th, 2026 03:14 pm
[syndicated profile] languagelog_feed

Posted by Mark Liberman

"A Conversation with Toby Kiers, World Champion of Fungus", NYT 1/14/2026 — lots of interesting science, and this bit of sociophonetics:

Q: How do you pronounce “fungi”? Is it “fun-guy,” or “fun-jai,” or “fun-jee,” or “fun-ghee”?

A: I’m all over the place. I’ll start a sentence with “fun-jee” and by the end I’ll say “fun-ghee.” There’s no wrong answer!

Wiktionary says

There are multiple pronunciations in current English use. More American dictionaries favour the pronunciation
/ˈfʌnd͡ʒaɪ/ or /ˈfʌŋɡaɪ/, while more British dictionaries favour the pronunciation /ˈfʌŋɡiː/ or /ˈfʌnd͡ʒiː/. However, all four pronunciations are in use in both countries.

FWIW, I checked a random sample of 62 "fungi" from the previously-mentioned NPR podcasts dataset, which contains 3,199,859 transcribed turns from 105,817  podcasts, comprising more than 10,648 hours. The tally was

[ˈfʌnd͡ʒaɪ]   fun-jai   44
[ˈfʌŋɡaɪ]   fun-guy   15
[ˈfʌŋɡiː]   fun-ghee   3
[ˈfʌnd͡ʒiː]   fun-jee   0

…which supports Wiktionary's summary, especially because at least one of the [ˈfʌŋɡiː] cases had a British accent:

There were also a couple of cases where the speaker didn't commit, e.g.

Update — or this case, where the interviewer tries to keep Americans from being confused by an Australian's pronunciation:

Andrew Read: One of the great things about this paper on the genetically modified fungi is it does raise the scientific interest a lot in the fungi.

Joe Palca: Fungi, or if you prefer, fungi or fungi or funguses, could be used to inject all manner of deadly toxins into disease-carrying mosquitoes.

[syndicated profile] languagelog_feed

Posted by Victor Mair

Throughout my research and teaching career,  I have always emphasized that, when it comes to genuine etymology of Sinitic, what matters are the sounds and meanings of the constituent etyma, going all the way back to the fundamental roots.  The shapes of the glyphs used to write the eyma in question are far less important than the sounds and meanings.  In fact, discussion of the shapes of the glyphs is often more of a distraction than a benefit to understanding what the true etymologies of given etyma are.  We demonstrated that by the sharp disagreements we had over the meanings of the shapes of the ancient glyphs / forms / shapes of such a simple / definite / concise lexeme / morpheme as "woman; female".  That is why the sound  and its attendant meaning "woman; female" are more important for Sinitic etymology than is the the three-stroke character 女, albeit the latter derived from more complicated and difficult to explain / interpret forms.

It is for these reasons that I have so strongly supported the works of Axel Schuessler (e.g., ABC Etymological Dictionary of Old Chinese [2007]) and will close this post by concentrating on the sound and meaning of 女 rather than its shape.

By a stroke of good fortune, Rachel Boughton happened to read and comment on part 1 of this post.  After a couple of zoom conversations and numerous e-mail exchanges, I was delighted to elicit her views on the deeper significance of 女.

Rachel is a Jungian Analyst who previously has given a lot of thought to 女 / "woman ;  female" and has used her findings in her research, teaching, and treatment.  She is also a koan teacher and translator with a concentration on the legacy and words of women, though she sometimes takes an interest in a male teacher like Old Zhaozhou, who was a nature mystic, even though his record focuses on his snappy quips.

So that we better understand Rachel's purview and expertise, and its relevance for these posts about women in premodern times, I will quote from her a brief introductory note about koans:

A koan is a teaching phrase or story, sometimes pithy, sometimes long, sometimes from a conversation that was transformational to somebody. The words of a koan become a part of a meditation practice in such a way that the original insight can be shared by the practitioner through their own "aha!" moments. Sometimes this is done in a kind of apprenticeship with a teacher. There are classics used in the west, books like the wumenguan (gateless gate) and the biyanlu (blue cliff record), with many very similar translations, that are the texts for what the Linji/Rinzai school considers a complete curriculum. Finishing that curriculum with its 250 or so koans is usually part of the training for transmission as a Zen Roshi ("old teacher; old master"). Women are hardly ever mentioned in those 250 koans though, despite women having been seminal teachers and some of their records existing in Chinese archives. 

What follow are some comments by Rachel on early forms of 女:

 
I agree that it's hard to see it as kneeling, it's rare that the feet and the "knees" are on the same level in the old bronze and oracle bone characters. I wonder also if the subservient side view may have been an interpretation that came along later (with a shift in the position of women) changing the character from a sinewy line with arms crossed (https://www.zdic.net/zd/zx/jw/女 — nearly 500 from the 2nd and 1st millennia BC).
 

image.png

 
to a more pronounced backside and knees, usually squatting, sometimes kneeling. 

Screenshot 2026-01-22 at 7.52.50 PM.png

and later becoming (mis)understood as an image of a standing woman:
Screenshot 2026-01-22 at 7.55.43 PM.png
When I hold my arms in that original position, arms forward, elbows bent with wrists crossed, I am in a position to hold something, perhaps a child, or to express a willingness to cradle or hold something.

Also I am curious about the elbows bent which is the traditional neolithic goddess figurine's usual gesture, sometimes seen cradling the breasts, so ubiquitous that it looks like it might be a ritual gesture for a woman.

Both as a Jungian analyst and as a koan exegete, Rachel has devoted a great deal of attention to  ("woman; female"), but even she is unwilling to affirm with absolute confidence what those early forms represent.

So much for the shape of the  glyph.

Before closing, what can we say about the sound and meaning of the etymon?

Pronunciation 1  

MSM nǚ

"woman; female"

"daughter"

From Proto-Sino-Tibetan *naq (woman). Compare Tibetan ཉག་མོ (nyag mo, woman) (Hill, 2019).

Pronunciation 2

MSM  nǜ

(obsolete on its own in Standard Chinese) "to give one's daughter in marriage; to give as wife"

Exoactive derivation of pronunciation 1 (Schuessler, 2007).

(Wiktionary)

 

Selected readings

Pimpernel Smith

Jan. 25th, 2026 05:39 am
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[personal profile] sartorias
What can I do to help besides donate? I am doing my best to target specific needs in donations, as our funds are pretty severely limited. But it never seems enough.

Last night I self-comforted by rewatching Leslie Howard's impassioned anti-war and anti-Nazi film Pimpernel Smith. It's all the more poignant considering the toxic hellspew going on now, and doubly so considering that he was shot down in 1943. So he didn't get to see the end that he predicted in a memorable speech in the film's final moments: he tells the German commander about to shoot him that Germany will not prevail, that they will go down an ever darker road until the terrible end. The lighting is suitably dramatic, only one of his eyes visible.

Among the many excellent quotations tossed off during the film is one by Rupert Brooke, who wrote brilliant and impassioned anti-war sonnets and prose before dying in 1915, so he, too, did not get to see the end of that horrible war. (This elegy to Rupert Brooke is worth a listen.)

Though Howard did not live to see the end, his film inspired Raoul Wallenberg to rescue Jews in WW II, which he would have applauded; the people Pimpernel Smith is rescuing are scientists and journalists imprisoned by the Gestapo.

The film is not just anti-Nazi, which is important. But unlike so many American films made at the time, with their guns-out, let's go blast 'em all attitudes, frequently using Nazi to represent all Germans, which was just as false as today's representation of all Americans as Trumpers.

It's worth remembering the Germans who did not support Hitler's regime, and lived in fear of the next horror their government perpetrated, whether on outsiders or on themselves. Many acted, many others froze in place. Kids, bewildered, tried to survive. I knew a handful of these: my friend Margo, who died ten years ago, was a young teen during the forties. Her mother had ceased communication with the part of her family that supported Hitler. She hid the books written by Jews behind the classics in their home library, and exhorted her two girls to be kind, be kind. Until Margo was sent to music camp on a Hitler Youth activity (all kids had to join) came home to find her home rubble, her mom and sister dead somewhere in that tangle of brick and cement after an Allied bombing mission. Her existence became hand to mouth, including what amounts to slave labor. She was thirteen at the time.

Another friend's mom, a Berliner in her mid-teens, had been coopted to work in the Chancellery typing reports for the German Navy, as there were no men left for such tasks. She lived with her mother, walking to and from work in all weather until their home was bombed. They lived in the rubble, drinking rain water that sifted through the smashed walls; her mother died right there, probably from the bad water; there was no medical care available for civilians, only for the army. This friend's dad was in the army--he had been a baker's apprentice in a small town mid-Germany until the conscription. He was seventeen. He was shot up and sent back to the Russian front five times. He survived it; I remember seeing him shirtless when he mowed the lawn. He looked like a Frankenstein's monster with all the scars criss-crossing his body, corrugated from battlefield stitchwork. That pair met and married while floating about in the detritus of the war. No homes, living off handouts from the occupation until the guy was able to get work as a construction laborer. (Few bakeries, though in later life, he made exquisite seven layer cakes and other Bavarian pastries for his family.)

What can we do? Keep on resisting, without taking up arms and escalating things to that level of nightmare. I so admire Minnesotans. I believe they are doing it right.

Honey days, honey daze

Jan. 25th, 2026 02:05 pm
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[personal profile] dolorosa_12
It's been a good weekend after a tiring and emotionally difficult week. Saturday was filled with the kind of icy clear wintry skies that I love, and it was wonderful to wander around the market gathering vegetables, eggs, and other bits and pieces, before retreating to the house. I made a batch of ginger-, lemon- and honey-infused water to use as a sort of tisane on cold nights, and lay around catching up with podcasts and Dreamwidth comments. On my walk out to the pool this morning, almost every second window had a cat slumbering on the windowsill, and the hedgerows were filled with clouds of twittering sparows. I put in even more effort than usual in the pool this morning and at the classes in the gym yesterday, and my body feels pleasantly tired. Now, I'm sitting in the living room with softly foggy skies outside and a whisky-scented candle, while a [instagram.com profile] noorishbynoor Bahraini-style dal simmers on the stove in the kitchen for tomorrow's dinner. Everything feels sleepy and slow.

I'll start things off with some very good news. Some of you may recall my post last week about Russian attacks on Ukrainian energy infrastructure, with suggestions of ways to help. This included a fundraiser to buy large, expensive batteries for Kyivan families so that they had reliable sources of power in the wake of constant blackouts, and loss of heating and hot water in their homes. These batteries cost $3400 US apiece, and when I posted about the fundraiser last Saturday, the organisers had bought two so far. As of this week, they now have nine, and you can see some photos of Anastasiia Lapatina, the journalist who organised the fundraiser, with the delivered batteries, in her latest Substack newsletter update. Thank you to everyone who donated or spread the word of this fundraiser: you contributed to this, and you can see concrete proof of your actions. It's a small thing in light of the overwhelming horrors going on all over the world, but it is genuinely, unambiguously helpful. The fundraiser is ongoing, so please feel free to continue to share my original post or donate if you are able. Other concrete ways to help are the Ukrainian government's fundraising initiative for air defence or Come Back Alive's fundraising campaign for drones to use as air defence against other drones — helping civillians cope with the attacks on energy infrastructure is good, but preventing those attacks from happening at all is obviously better.

Reading this week has mostly been rereads, with the only reread of note being Amal El-Mohtar's The Honey Month poetry and short fiction collection. This was a project she undertook in 2010, when a friend spent the month of February sending her different samples of honey each day, and she wrote a poem or short story in response to the look, smell and taste of each sample. Each creative piece of writing is preceded by a description of the sensory experience of that specific honey, vividly captured so that the reader is brought along for the ride. Although this is an early piece of El-Mohtar's work, it has all the hallmarks that I've come to expect and appreciate in her later writing: lyrical, fairytale storytelling, with each item in the collection an exquisite, self-contained gem. Her writing is always a rich feast for the senses — one does not just read her stories and poetry, but rather tastes, smells, and touches the little worlds she creates within them — and this collection really plays to those strengths.

I'm also about a quarter of the way through Long Live Evil, Sarah Rees Brennan's adult fiction debut, in which a young woman with terminal cancer is offered a chance to save her life if she elects to be transported into the fictional world of the wildly successful series of fantasy novels of which she and her younger sister are fans. The only catch — she finds herself in the body of one of the series' villains, who is slated for execution, and must therefore rely on her knowledge of the series' plot, and wider genre knowledge in general, in order to wriggle her way out of things. Rees Brennan herself was diagnosed with cancer in her thirties, and went through a long, painful recovery, and the fear and rage of that experience is conveyed with real vulnerability, deftly sitting next to the book's gleeful, quippy humour. It's written with real affection for both transformative fandom and the way that experience of collectively engaging with fiction transcends the sometimes questionable quality of the source material (if a work of fiction is meaningful, that's all that matters), and I can tell it's going to be a wild ride from start to finish.

I've got laundry to hang out (in the kitchen, as outdoor laundry will not be possible until at least late March), and more reading to do, and then Matthias and I will be heading into one of the villages south of Cambridge for a Burns Night dinner in one of the gastropubs we frequent sporadically. I'm expecting tartan, bagpipes, and whisky, the latter of which will be a bit of a shock to the system as I have been refraining from alcohol for the past month. But it will be good fun!

Just one thing: 25 January 2026

Jan. 25th, 2026 06:59 am
[personal profile] jazzyjj in [community profile] awesomeers
It's challenge time!

Comment with Just One Thing you've accomplished in the last 24 hours or so. It doesn't have to be a hard thing, or even a thing that you think is particularly awesome. Just a thing that you did.

Feel free to share more than one thing if you're feeling particularly accomplished!

Extra credit: find someone in the comments and give them props for what they achieved!

Nothing is too big, too small, too strange or too cryptic. And in case you'd rather do this in private, anonymous comments are screened. I will only unscreen if you ask me to.

Go!

His butler was too formidable

Jan. 25th, 2026 02:33 pm
cimorene: A woman sitting on a bench reading a book in front of a symmetrical opulent white-and-gold hotel room (studying)
[personal profile] cimorene
The Powerhouse by John Buchan is a 1916 thriller mystery about an international secret criminal organization that's absolutely laughable in light of (1) the later course of history and (2) the development of the genre. Readable, pleasant narration, and quite a turn of phrase, but insubstantial.

The Patient in Room 18 by Mignon G. Eberhart is set in a private hospital in the American Midwest in 1929, and that made it interesting at first. It has some gobsmacking passages that it doesn't seem to know are racist ("This other guy was obviously wrong to be prejudiced against this mixed race woman but she is obviously fashionable and lazy because of her Black ancestry" - the enlightened detective). The plot relies on a witness to the first murder waiting a week, then deciding to spill his guts to the narrator in a clump of bushes where anybody could overhear, then refusing to say who did it and running away to get murdered while the narrator is just like "Huh!"

(no subject)

Jan. 25th, 2026 09:59 pm
thawrecka: (Adventure Time)
[personal profile] thawrecka
I paid for a month HBO Max subscription for Heated Rivalry, but then after watching that I was like, oh, they have all of Adventure Time, and the Distant Lands specials, and Fionna and Cake, I wonder if I can watch all of that in a month?

...The answer to that is yes, actually. Massive Adventure Time marathon. Having many feelings about post-apocalyptic gender and identity, and also 🩷🖤bubbline, and also aaaah Huntress Wizard aaah!

I'd never actually finished it when it was on an Australian streaming service, so I finally got to see the final seasons and Marceline and Bubblegum getting back together ♥ and Finn growing up! I truly thought no finale could live up to ten seasons of build up, and I won't say it was perfect, but it was pretty good. I was moved! If you told me at the beginning of the series that I would end up with so many emotions about Ice King, I would not have believed you, but there's some very rich stuff there about loss of identity, especially with regards to his relationship with Betty.

Fionna and Cake also does some pretty interesting stuff, and is especially thoughtful about gender. To the point where I really liked it even though I didn't particularly like the main characters.

Read more... )

Anyway, I had a great time with that. And literally the night after I finished this massive TV marathon I went out to see two movies.

First: Hamnet, which only just released here. It's interesting, though I don't think it was entirely successful for me. I have to admit I did laugh when he took his shirt off to go swimming and it turned out Will Shakespeare had abs. Not Marvel abs or anything, but certainly more visible abs than I would believe the average Elizabethan playwright to have.

My tears were not jerked out of me, alas, and there was so much shaky cam, but I did think the most interesting part was Read more... )

I feel like there used to be a lot more of this kind of film, so I like that it seems fairly successful, even if I wasn't nearly as moved as I wanted to be.

Then I went to see No Other Choice, which was kind of funny. I did laugh. I also didn't find it as funny as I wanted, but it certainly wasn't bad. It ends basically in exactly the place you think it will end, and I do find it an effective satire. Apparently it's loosely based on a Donald E. Westlake story? The best part was some of the comedy of errors at the start of his attempt at a murder spree, and then later it was kind of sad. I'm not sad I went to see it, anyway, even if I was very tired when the movie let out and the cinema had already closed down their escalators.
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[personal profile] fred_mouse

only slightly lost in the drafts folder

The Viy by Nikolai Vasilievich Gogol, Translated by Claud Field. Described as a horror novella from 1836. Uneven, didn't really get it.

Within the Wall - Patrick Kuklinski, January, 2024. This is entirely from the point of view of a rat living in a colony in the wall, but it has some interesting things to say about aspects of human society as well. 4/5

Regarding the Childhood of Morrigan, Who Was Chosen to Open the Way - by Benjamin Rosenbaum, Nov 19, 2025 - This story is doing some interesting things. I absolutely did not give a damn, and noped out, mostly because I didn’t have the brain space to track what was going on. But also because child neglect.

The person who reminds the other person to cast a spell - by Bogi Takács, December 2024 - short poem, does very interesting things with language. 4/5

The Girl That My Mother Is Leaving Me For by Cameron Reed, April 2025 - before reading: this is dystopia, so I may not make it through, but the title has me intrigued (I'm a bit hmmm about the one sentence summary though). After reading: It's clever, but at no point did I warm to the characters, and I think it would have been necessary to do so to really appreciate this. 3/5

The Specialist’s Hat by Kelly Link (undated) - this is a very clever ghost story, where exactly what happens is never made clear. 4/5

The Starlight on Idaho by Denis Johnson, 'winter' 2011 - odd epistolary fic from a person in drug and alcohol rehab; quite a lot of unreality, beautifully written. 4/5

[001: JAVELIN] - Derin Edala - this is a web serial; I'm not sure if it is finished. Far future science fiction. ... technically not short fiction, and I haven't finished it because the tab it is in keeps getting lost in the sea of open tabs

Some movies

Jan. 25th, 2026 08:37 pm
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[personal profile] lucymonster
The Ring (2002) was a reckless stretching of my "no child-related horror" boundary that fortunately did not backfire, mostly because I spoiled myself very thoroughly for the entire plot of the movie before watching a single minute. But with ample forewarning for the bad bits, not only did it not backfire but I actually enjoyed it more than I can remember enjoying a movie in years. This is phenomenally sad and scary paranormal horror about a cursed VHS tape that kills you seven days after you watch it, and a journalist fighting to solve the mystery of the tape before she and her young son succumb to its murderous power. Aesthetically it was exquisite: everything is wretchedly grey and rainy and minimalist, but somehow never dull. The visual horror was like the distilled essence of what the word "horror" means inside my head. The suspense and fear were great, but really the heart of this story is about motherhood, and the beautiful, terrible power mothers have to save or destroy their children.

Spoilers )

I haven't decided yet if I will watch the sequel, but I almost definitely will watch the original Japanese film that spawned this adaptation.

Hit Man (2023): Philosophy teacher Gary loves his cats, his pot plants, his job, and birdwatching. He is amicably divorced from his ex-wife, who left him because she found him too steady and yearned for a more passionate lover. Good with tech, he works part time for the New Orleans police in a surveillance van attached to undercover missions. One day, the undercover cop he works with gets pulled off duty right before a planned sting, and Gary reluctantly takes over his role as a fake "hit man" whom their would-be murderer target is attempting to hire. He surprises everyone (himself included) by putting on such a stellar performance that he's asked to become the team's permanent undercover guy. He falls into a highly successful routine: drawing on his longstanding interest in human psychology, he researches his targets and creates a tailored persona to cater to each individual's fantasy of what a mythical hit man should be. But when Gary catches feelings for one of his intended targets - Madison, a beautiful housewife who in desperation to escape is considering having her abusive husband killed - his professionalism starts to slip, and his immersion in the tough, suave persona he designed for her starts to escape the bounds of his mission in ways that change his life forever.

This was fun! I don't have a huge amount to say beyond that. It was fun, gleefully silly, and well acted on Gary/Glen Powell's side. (Madison was played by Adria Arjona from Andor, and I can't tell if she genuinely can't act or has just been typecast as a flat, misogyny-tinged "sexy vulnerable girlfriend" whose roles give her nothing to work with.) They took the John Wick approach of making the victims such repulsive humans that you don't feel bad when they bite it. (Note, that is this film's only overlap with John Wick. Despite the title, it is not a murderfest!) It didn't have much by way of substance but was a very enjoyable way to pass two hours.

Crazy Rich Asians (2018) was also fun and also has not inspired me with many deep thoughts. Chinese-American economics professor Rachel Chu accompanies her boyfriend Nick Young on a trip home to Singapore to meet his family, about whom he has thus far in their relationship told her nothing. It turns out that the Young family are Singapore's foremost developers and property owners, a family of obscenely wealthy celebrities; Nick is the presumed heir to the family business and fortune, and his relatives are not impressed by his choice to involve himself with an Americanised nobody. Romcom tropes and high-stakes familial (melo)drama ensue.

Parts of the film felt like a travel ad for Singapore. One very gratuitous hawker centre scene in particular made me ravenous for Singaporean street food; there is also much ooh-ing and aah-ing over the city's architecture, and lavish displays of traditional culture in the family matriarch's mansion. The portrayal of the Young family's wealth played hopscotch along the border between lifestyle porn and existential horror; it's honestly kind of ghastly how rich they are. Like, unthinkably rich. Like, suck-all-the-joy-out-of-life rich. There's a very sad subplot where spoilers ) After all the luxury, I also really enjoyed the final scene where more spoilers ) Michelle Yeoh was also amazing as the disapproving mother - plot-wise she is firmly the antagonist striving to keep the happy couple apart, but she brought so much heart and nuance to the role that I was honestly half-cheering for her even as I hoped that Nick and Rachel would work things out.

Today's Cooking

Jan. 24th, 2026 11:57 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
Today I'm making  Healthy Spice Quick Bread. This way we'll have something that isn't cold to go with the apple topping.

EDIT 1/25/26 -- The spice bread turned out pretty well.  The flavor is good, not particularly strong, a little on the dry side -- but it works great with the apple topping and probably would with any other wet topping. \o/

Free Epic Poll

Jan. 24th, 2026 11:53 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
The January 6, 2026 Poetry Fishbowl has made its $200 goal, so you get a free epic. Everyone is eligible to vote in this poll. I will keep it open at least until Sunday night. If there's a clear answer then, I'll close it; otherwise I may leave it open a little while longer. Here are your options...


"A Fountain of Energy"
Johan practices with his abilities.
70 lines

"Once the Avalanche Has Begun"
A foolish choice in a neighboring town makes life challenging for Shaeth's followers.
70 lines


Poll #34116 Free Epic for the January 6, 2026 Poetry Fishbowl
Open to: Registered Users, detailed results viewable to: All, participants: 8


Which of these should be the free epic?

View Answers

"A Fountain of Energy"
2 (25.0%)

"Once the Avalanche Has Begun"
6 (75.0%)

Let's try this again!

Jan. 24th, 2026 08:20 pm
lupine_dreaming: Credit: LJ user sallymn (sci-fi 2)
[personal profile] lupine_dreaming in [community profile] addme_fandom

So, I made a DW a few years ago but fell off posting on it pretty quickly. I’ve made this new account of hopes in being more active!

Name: Eclipse


Age: 31


Country: USA


Subscription/Access Policy: My blog is 18+, as I only feel comfortable interacting with other adults, and I do sometimes discuss mature topics. Right now, all my journals are public, but it’s possible I may post some more personal stuff that I might feel more comfortable friends locking. We’ll have to see!

I like to post about: So far, I’m using my journal to crosspost my fanfic and original writing, as well as sharing some of my own rambly thoughts on fandom. My writing tends to focus on monster romance, horror, supernatural stuff, villains, or some combination thereof.


I’m sure I will continue posting my writing and talking about my fandoms, but it’s possible I may also post book reviews or movie reviews. 


Main Fandoms: Horror fandom generally, but specifically the Alien movies and the Nightmare on Elm Street movies. My other main fandom interests are: the band Ghost, Beetlejuice, and Phantom of the Opera, as well as the monster romance community.


Other Fandoms: The Stargate franchise, Once Upon a Time, and the Batman villains fandom. I don’t talk about these things quite as much right now, but I still enjoy them and would be happy to follow you if you enjoy these things!


About Me/Other Info: I am in my “cringe but free” era, and as a result, have been writing more OC/self-insert x Canon Character fic – specifically OC x horror villain stuff. If that’s not your thing, this probably isn’t the right blog for you. ^^’

Also, while I generally do not care what people ship, I am very uncomfortable with lolisho.


Poem: "lacquerware poet"

Jan. 24th, 2026 09:26 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
This poem came out of the January 6, 2026 Poetry Fishbowl. It was inspired by a prompt from [personal profile] siliconshaman. It has been sponsored by [personal profile] fuzzyred.


lacquerware poet
haiku in and haiku out --
beauty? or cheating?


* * *

Notes:

Haiku is a form of poetry, first made popular in Japan, which has become appreciated around the world. Haiku poets are challenged to convey a vivid message in only 17 syllables.

The Machines Are Coming, and They Write Really Bad Poetry

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Anghraine

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