anghraine: spock in the s2 episode "a piece of the action" correcting kirk's lies while kirk distracts him with a likely very real headache (kirk and spock [migraine])
So, I made a light-hearted addition to my old TOS Kirk vs AOS Kirk theory over on Tumblr, involving a bunch of screencaps—I just used old ones I already had for TOS, but I had to search for AOS Kirk ones since the films made basically no impression on me except in retrospect when I started marathoning TOS, and I only had a couple images saved (one for an ancient Star Wars photoset in which I used Saldaña's Uhura as my f!Lando dreamcast).

And in the course of dredging up the right length of screenshots for my silly Pride post, I encountered some exceptionally dreary takes on the greatness of AOS Kirk totally capturing the classic character (/eyeroll), but also occasionally "we had a question about the films and felt the need to ask William Shatner about it, person notably Not Appearing in These Films." In the course of these, I just ended up laughing because... I mean, what did they expect? Literally the first time I read an interview with him, I had to drastically re-evaluate almost every detail I'd fandom osmosed except "chaos gremlin, for love of the game."

Anyway, the main three Shatner AOS opinions I encountered in my search for screenshots, because as far as I could tell people literally just kept asking:

1) One reporter breathlessly asked him if he didn't think AOS perfectly captured his Kirk back in TOS. He trollishly pretended to contemplate this for a few seconds, then very deliberately enunciated: "Bullshit."

(Genuinely kind of cathartic as a TOS Kirk stan who absolutely despises the constant attempts to cannibalize TOS as a whole for the benefit of the franchise and insist each ensuing set of retcons and dubious-interpretations-asserted-as-obvious-facts aren't fundamentally distinct from the original. Pine does great work with a drastically different character beyond anything about the premise.)

2) Also, he was asked what actor he'd choose to play him if there was going to be a biopic or something (I can only imagine what a Shatner biopic would even look like, honestly—the man has lived a lot of life and the tone would have to be incredibly grim without his own layer of zany over it all or exclude a lot). Anyway, he said "Chris Pine" and presumably didn't break into maniacal cackling by sheer force of will.

3) Another time, he was asked how he thinks Chris Pine should handle the pay dispute preventing the fourth AOS film. His opinion was that Pine shouldn't bend an inch, because he's talented and attractive and so identified with his role that they can't really make those movies without him, but Pine can do plenty of things other than Star Trek. So if Paramount's going to make that much money, Pine should absolutely see his fair share and if not, walk, and good for him.
anghraine: a fairly typical shot of spock and kirk on the bridge of the enterprise in st:tos; they are connected at the hip while at a considerable distance from chekov at the console; text: it's the aspect ratio (kirk/spock (aspect ratio))
One of the critiques of trends in K/S fic I've seen pretty often, and which apparently goes back decades, is that K/S fans don't write them acting like men but all clingy and overwrought and melodramatic, these are military professionals, that's not how Real Manly Gays act even if they are, if they had those kinds of emoting happening onscreen they couldn't do their jobs.

And it's like, setting aside the rather surprising reality that approximately 90% of the assumptions about Starfleet Military Professionalism are retcons from 10-20 years after it ended, getting projected onto the characters no matter how blatantly contradicted by the much looser depiction of Starfleet in TOS (which was entirely intentional—probably the single strongest influence on the world-building of TOS was Gene L. Coon, a veteran and war reporter in the Korean War who had, let's say, Notes) + doctrinaire ideas about how Real Men Who Are Queer (But Real Men) would behave and feel in a quasi-military hierarchical organization. But as far as I'm concerned, those will always be a far distant consideration to what characters ... you know, do and are shown to feel onscreen. I don't care what real military men are like, I care about the specific characters we're talking about. Remember when Kirk's pretty yeoman started massaging out a kink in his back because he hasn't been taking care of his health after going through the wringer multiple times, and Kirk just assumed it had to be Spock giving him an impromptu massage right there on the bridge, and started going, "That's it...A little higher, please. Push ... Push hard ... Dig it in there, Mr. S—" and then Spock pointedly stepped forwards so Kirk would realize it wasn't him since apparently nobody was going to actually say anything?

Or! There's the time superpowered god aliens were livestreaming Kirk saving his own life by spontaneously re-inventing gunpowder and building a DIY bazooka (I love describing Star Trek episodes ngl) and Spock, as acting captain, could only watch and he helpfully monologues what's going on because he's the only one enough on Kirk's wavelength to understand his thought processes in real time, but also for TOS reasons does it like this:

SPOCK: Fascinating…
SPOCK [clearly putting something important together that nobody else is getting as Kirk cuts vines against a rock]: Good ... good.
SPOCK [to a baffled McCoy]: He knows, doctor. He has reasoned it out.
MCCOY [along with everyone else on the bridge]: ?????????
[Kirk starts shoving the potassium nitrate into the bamboo]
SPOCK: Yes.
SPOCK [going from standing to sitting in Kirk’s chair, showing open delight]: Yes.

Also, Kirk rather conspicuously finds the insecurity baked into hypermasculine military dogmatism extremely grating and contemptible, and responds with flamboyantly aggressive effeminacy anyway. But also

Read more... )
anghraine: leia hugging luke at the end of esb (luke and leia [hugs!])
It's still May 15th here! 10 PM, here we go:

1. Take five books off your bookshelf.
2. Book #1 -- first sentence: "Every female wants to be loved by a male."
3. Book #2 -- last sentence on page fifty: "This says you were born in 1963."
4. Book #3 -- second sentence on page one hundred: "He said, No."
5. Book #4 -- next to the last sentence on page one hundred fifty: "I determined, therefore, to be carefully upon my guard, not to betray the imposition, which could now answer no other purpose, than occasioning an irreparable breach between her and the Captain."
6. Book #5 -- final sentence of the book: "If we meet now and in the future, we writers and readers of SF, to give each other prizes and see each other's faces and renew old feuds and discuss new books and hold our celebration, it will be in entire freedom—because we choose to do so—because, to put it simply, we like each other."
7. Make the five sentences into a paragraph: lol probably should have at least selected only fiction or non-fiction for this. Oh well! Let's see, interpreting "paragraph" loosely, but:

If we meet now and in the future, we writers and readers of SF, to give each other prizes and see each other's faces and renew old feuds and discuss new books and hold our celebration, it will be in entire freedom—because we choose to do so—because, to put it simply, we like each other. I determined, therefore, to be carefully upon my guard, not to betray the imposition, which could now answer no other purpose, than occasioning an irreparable breach between her and the Captain. Every female wants to be loved by a male.

"This says you were born in 1963."

He said, No.


For the record, the books in the original numbering order: Book #1 = The Language of the Night (Ursula K. Le Guin), Book #2 = Evelina (Frances Burney), Book #3 = Black Water Sister (Zen Cho), Book #4 = Essais (Michel de Montaigne), Book #5 = The Will to Change: Men, Masculinity, and Love (bell hooks).
anghraine: spock in the s2 episode "a piece of the action" correcting kirk's lies while kirk distracts him with a likely very real headache (kirk and spock [migraine])
Reply to this post saying "icon," and I will tell you my favorite icon of yours. Then post this to your own journal using your own favorite icon, if you're one of those inhuman things that are actually capable of choosing between YOUR PRECIOUS BABIES! userpics.

(I am not one of those inhuman things, lol, even narrowing down to icons I myself hacked together, but this one speaks to me quite a bit these days.)
anghraine: a picture of a black-haired, golden-eyed woman with a dagger in her hand and scar on her cheek [sebille from divinity: original sin ii] (sebille)
I don't know how pertinent this one will be to you all, but I found it intriguing, so adding it to the (metaphorical) queue!

Everyone has things they blog about. Everyone has things they don't blog about. Challenge me out of my comfort zone by telling me something I don't blog about, but you'd like to hear about, and I'll write a post about it. Ask for anything: latest movie watched, last book read, political leanings, thoughts on yaoi, favorite type of underwear, graphic techniques, etc. Repost in your own journal so that we can all learn more about each other.
anghraine: Spock tilting his head and raising his eyebrows (from a scene where Kirk suggests he'd be interested in hot women) (spock [gay])
Give me a character from one of my fandoms, and I'll tell you how they survived the robot apocalypse—if, indeed, they did survive.

(If you want to do this one yourself, the original was "zombie apocalypse," I just don't like zombies.)
anghraine: vader extending his lightsaber; text: and now for the airing of grievances! (Default)
As it's the last day of three weeks for Dreamwidth, I wanted to get in some of the fun "activities" I'd seen and then gotten distracted from. Consider yourself tagged if you see it and also want to do it! If any of the words don't work for you, choose a different word that uses the same letter. That way the meme changes and evolves as it travels around.

The ABCs of me (Anghraine)

A. Age: 40!

B. Bed Size: Queen :)

C. Chore You Really Dislike: Hand-washing the dishes.

D. Dogs: I don't personally have tags, but my family has two elderly dogs, a German shepherd and a lab, Tisha and Beren.

E. Essential Start to Your Day: My tea!! I go full Perfuma without my soothing morning tea ritual.

F. Favorite Color: I vacillate between deep blue and rich red. Both are good!

G. Gold or Silver: I prefer silver jewelry, but gold in many other contexts ... it depends.

H. Height: 5'4", barely.

I. Instruments You Play: piano and flute (the piano much better, though not fantastically, lol).

J. Job: Unemployed currently. Not fired or anything, but my teaching contract was only so long and academia is pretty dire right now, especially when you're tied down locally.

K. Kids: None, thank God.

L. Live: Washington State.

M. Mom’s Name: not saying lol, that's her business.

N. Nicknames: manyyyyy, but my favorite was always Reina.

O. Overnight Hospital Stays: I was hospitalized for a week with an asthma attack that nearly killed me and/or damaged my brain multiple times.

P. Pet Peeve: Oh God, so many. In a fandom context, the Tumblr Bonesfuckers's apologetics/denial around his treatment of Spock and the absolute lack of differentiation between Kirk romances in which he's playing on his in-universe sex appeal in desperation, or falling in love, or being straight-up assaulted (and determined blindness to how markedly different his behavior and feelings are in these) are up there. Also, the Spock gravitational well that prioritizes and props up his feelings as always the most central and angsty in any given situation except when it comes to McCoy's racism. The way that the obsession with denying/minimizing TOS Kirk's comfort with open effeminacy (esp compared to Spock and McCoy) is so very blatantly linked to the obsession with him being fat and depicting him as much less conventionally attractive than he is. Etc. In a non-fandom context, something I find disproportionately frustrating is replies/responses to something I'm saying that basically amount to "why aren't you talking about this fundamentally different other thing" or nitpick some completely minor and trivial aspect without engaging in any way with the main point of what I said (quadruply if the nitpick is wrong).

Q. Quote From A Movie: Father, I won't leave you! always breaks my heart ;_;

R. Right or Left Handed: Right, very.

S. Siblings: None by blood, quite a few foster siblings, though there are only two who have persistently been part of my life. I wouldn't say that I don't think of them as my siblings, but I also do think I'm an only child in some meaningful ways. IDK, it's complicated for all of us.

T. Time You Wake Up: 6:30-8:00 AM, depending. (I don't have to get up that early, I've just evolved into a morning person against my will.)

U. Underwear: Plain and soft.

W. What Makes You Run Late: Navigating public transit because I can't drive. Sometimes this also makes me early, but not usually. Also, sometimes I get distracted and end up having to catch the next bus and blahblah. 

X. X-Rays You’ve Had: Over the last year of respiratory hell, I've had many for my lungs. I don't think I've ever had anything else X-Ray'd, actually.

Y. Yummy Food You Make: I make a streusel coffee cake to die for! I can barely cook otherwise and that is ridiculously complex, but there we are.

Z. Zoo - favorite animal: Cats of all kinds as far as land animals go. Orcas are easily my favorite sea animals, probably because they are also cats, spiritually.
anghraine: kirk and uhura from tos are dressed in the glittery horny outfits of their mirror counterparts; kirk gently holds uhura's shoulders while reassuring her of her importance (kirk and uhura [brotp])
Apropos of my other brotp post, a couple of additional details I love about the Kirk-Uhura friendship that I forgot before!

1— There are two different occasions in TOS where Kirk not only accepts the strong possibility of death, loss, and failure with grace, and not only takes personal responsibility ("I don't believe in no-win scenarios" whomst), but sets aside a moment to record posthumous commendations for particularly exemplary crew members during the crisis, in hopes that even in death those people will be honored. In both cases, he especially singles out Spock as extra special (news at eleven). But in fact, there are only two people, including Spock, whom Kirk mentions in both sets of commendations. You'd think from the fandom's obsession with "the triumvirate" that McCoy would be the other person on both lists, but he's actually only on one of them. The second person Kirk singles out for praise both times is Uhura.

2— So, when J and I were first marathoning TOS, I didn't know much about Nichelle Nichols outside of ST, but I became increasingly convinced that, like William Shatner, she must have been forged by the stage in some meaningful way. (Spoiler: she was.)

Although their performances are very different in many ways, of course, there seemed some marked similarities in how both inhabit their characters. They both have a kind of "always on" intense stage presence, where even if they're on the sidelines or background without really speaking or having much to do, they are still fully present in their roles; both perform like they're always potentially being seen whether or not they're 100% sure the camera is on them. Both of them do particularly heavy lifting in defining their characters through this kind of intensity of presence (sometimes rather against the grain of the writing or of other agendas at work) but also via very precisely calibrated performances when the writing isn't absolutely godawful/vacuous. TOS is so vibrant and expressionist that I think the precision in the okay-to-great episodes (most of them!) is often overlooked or even denied, but it's all over much of the show IMO; you can especially see it in Nichols' and Shatner's nearly surgical comic timing, but hardly only there.

So both Nichols and Shatner are actors who can be just standing or sitting in a chair, barely speaking or not speaking at all, barely moving and fairly understated, and yet their command of the stage is so effective that it's hard to tear your eyes from them. It's like the visual acting version of the voice that's so good you'd listen to them read the phonebook. I ended up being like, "wow, I'm pretty sure I could just watch Nichelle Nichols or William Shatner sit in a chair for ten minutes straight, those are some hella stage chops."

Read more... )

BROTPPPPPP

May. 2nd, 2026 04:03 pm
anghraine: kirk and uhura from tos in their matching command uniforms in "the corbomite maneuver"; text: bicons (with a heart for the dot in the i) (kirk and uhura [bicons])
For as much as I'm a very hardcore Kirk/Spock shipper with big gay!Spock feelings, it probably says something about my tastes that the moment that absolutely sealed TOS Kirk as my Star Trek blorbo was not "he seems a generic dude hero but we love him because he adores Spock so much" but this:

KIRK: At least try cutting him off!
UHURA: Sir, if I could cut him off, don't you think I—!
RILEY: ♪ I'll take you home again, Kathleen— ♪
UHURA: Yes, sir, I'll keep trying.
KIRK [penitently]: Sorry.

"The Naked Time" lingers on this for a few seconds more, mid-crisis, to give the distinct impression that receiving immediate public apologies from a man in power is not an everyday experience for Uhura:





I'm actually reminded of the more famous, fantastic scene from "Balance of Terror" in which Kirk gets progressively more menacing as he shuts down Stiles' racism towards Spock, and Nimoy absolutely plays Spock as having to emotionally process that someone leaping to his defense is a thing that could even happen; Nichols and Nimoy play these reactions properly for their very different characters, but I think the emotional beat is similar.

Also, the single most purely heartwarming time anyone is called beautiful is when Kirk is describing Uhura's *checks hand* facility for brazen lying and trickery in "I, Mudd":

Read more... )
anghraine: spock in the s2 episode "a piece of the action" correcting kirk's lies while kirk distracts him with a likely very real headache (kirk and spock [migraine])
Something I've noticed for awhile now is, sure, K/S artists (and TOS artists in general) have found TOS Kirk difficult to depict forever and mentioned it forever, but nevertheless, if you look at things like zine art of yore, he's usually very recognizable, while SO much modern Kirk/Spock art has a very obvious Nimoy!Spock whatever the style, and then a Kirk who is solely recognizable via paraphernalia, Spock's own presence, and fanon. I've been trying to figure out what makes the modern art look so wrong compared to older attempts, and I think I... basically tripped over one of the most common reasons.

Short version: it's his cheekbones. TOS Kirk actually has a more fine-boned and pronounced, angled slope of cheekbones that's fuller and higher (particularly in relation to the bottom of his face) than artists typically allow, even if in the show, this is sometimes obscured by the general softness of his face, expressions, and alternate ways of shooting him (he has very mobile features, so he tends to look very different with slight changes in focus/angles/lighting, but of course his features have not actually changed). Artists' lowering/flattening/straightening of where his cheekbones are in his face (vertically and in terms of width/depth), and broadening of the bones themselves, is super common in modern K/S art and it makes the shape of his face and even his head look really off (in particular, both squished and more generic than his real appearance), even if you can't immediately put your finger on what's wrong.

To be clear, there are multiple things that art (fannish and professional) often changes about TOS Kirk's appearance, for what I'm guessing are multiple reasons (though there's one pertinent reason* that I think is a major engine for many of the ways in which Kirk is bafflingly misrepresented). It's not only this. But more recent art particularly tends to alter the line of his cheekbones. His aren't as high or angular as Spock's, nor as prominent as Sulu's, but definitely more so than usually shows up in TOS art. Some lighting/angles/make-up/camera lenses in the show make this super conspicuous and at other times it's harder to see, but when I was searching through my manyyyyy TOS screenshots for an unrelated post, I was really struck by the gap between the ... artistic fanon? and his basic facial structure.

So naturally, I went through my zillions of TOS screenshots for a picspam, so you don't have to just trust my opinion:





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anghraine: a cropped image of the official art for the mesmer class in the original guild wars game (mesmer (guild wars))
So, one of the major inspirations of a major location in my original novel is the Catacombs of pre-Searing Ascalon in Guild Wars: Prophecies, which seem fairly dreary at first (as might be expected!) only for you to discover beams of light filtering through the more ruinous sections, and then areas that are just really mysterious or cool, and then awesome "secret" areas. I wanted to see if I could capture that first experience of going into the Catacombs because you have to, ho hum, that underground dreary quality -> oh there are actually some cool oddities -> WHOA of playing as a teenager.

Screenshots don't really capture the whole experience (especially of the bridge; from a better angle you can see that the bones beneath the latticework are gigantic curved ribs, probably of a dragon or something comparable that goes completely unexplained). Still:







anghraine: a woman with short black hair (gwen thackeray from guild wars 2) casts a spell with pink/purple light (gwen)
I am, of course, referring to my beloved Guild Wars, which rewired my brain back in 2005. My family were early players via a friend of ours and have bought every expansion of every Guild Wars since we started figuring out GW(1) in pre-Searing Ascalon 21 years ago. And now there are actual updates again because the 20th anniversary was so successful last year—it's so fun to see tons of people in pre-Searing Ascalon City again, people chatting and figuring the game out again, etc ever since Reforged "came out". I just saw the anniversary announcement today: they're making GW1 playable on mobile(!!!!) this summer, something I have no desire to do ever and am deeply ambivalent about, but still vaguely support on the principle of doing more with GW1 than maintenance. And they've stuck to the basic principle of once you buy it, You Bought It Forever, even with the mobile game—it has no ads for people who already own GW1 but is F2P with ads if you don't.

Honestly, over 20 years of evading the subscription model for both a MMO-in-name-only in GW1 and the real deal in GW2 has earned a lot of affection beyond my emotional investment in the game and world itself. So I'm glad it's the one that I got obsessed with as a 19-year-old baby gamer. 

A taste of the opening of GW1 while I'm here, actually (open in a new tab for full size, if you want):







And here I'm playing with my parents last February to check out all the new updates, with my mother's character in white and mine in black:


anghraine: uhura confidently sits at the weapons panel while kirk remains tensely in the captain's chair, both bathed in the red lighting of "balance of terror"; text: "you're the only one who can do it" (from "mirror mirror") (kirk and uhura [bridge])
Incidentally, my best friend J happened across a copy of the famous novelization of Star Trek: The Motion Picture and gave it to me for Christmas last year. We have been doing dramatic readings of the chapters to each other, complete with air quotes and loudly emphasizing the many, many, many unnecessarily quoted or italicized words/phrases/paragraphs. Although it was fun in its own unhinged way, it was also kind of shocking to realize just how terrible Roddenberry's... like, everything was without being able to lean on good writing/editorial staff like Sturgeon and Fontana, figures like Gene L. Coon to temper his worst impulses, the visual brilliance of people like Jerry Finnerman and William Ware Theiss, and the warmth and charisma brought to even much of the weaker writing by superb theatrical actors like Nichols, Shatner, and Nimoy. For all the novelization's extreme sleaziness, it is one of the coldest and most inhuman-feeling published novels I've ever encountered.

The attempts to salvage the footnote are largely nonsense, IMO—like, yes, it does accidentally imply that Kirk is just a bisexual who rather prefers women rather than a totally super manly straight guy, and his description of Spock and their super special eternal psychic bond does sound incredibly gay, but this is clearly because Roddenberry was constitutionally incapable of writing about any relationships in a non-horny way and loathed women. He was definitely going for desperately recuperating Kirk as the hypermasculine hyper-heterosexual seasoned middle-aged commanding captain figure with a weakness for women but also distaste for them that he'd always envisioned for his ideal of "the captain" (it's all over his writing of April and then Pike), and his resentment of what TOS Kirk actually became in the show is extremely visible (his Kirk dismisses TOS Kirk as a twee fictionalized version he actually hates and TOS in general as terrible and fake, unlike the real story in the novelization, etc). Like, it's 100% an attempt at no-homo and gender essentialism, he's just very bad at no-homo and also at writing people.

But the thing is, the footnote (and the other material straining to find a heterosexual explanation for TOS) may be - and is - homophobic, but this is actually the least of the novelization's problems. It is even more misogynistic, racist, incredibly petty, and so incredibly awkward that I was starting to think "justice for the OG Mary Sue writers, they were far better than this and honestly seem to have understood Star Trek itself rather better," given the weird 70s dystopia aspects he's got going.

Read more... )
anghraine: admiral ackbar with a saxophone; text: ackbar plays the blues, features his hit 'the greatest trap of all' (ackbar)
To my 30s, that is! Today is my last day in this decade :D
anghraine: uhura confidently sits at the weapons panel while kirk remains tensely in the captain's chair, both bathed in the red lighting of "balance of terror"; text: "you're the only one who can do it" (from "mirror mirror") (kirk and uhura [bridge])
I posted this on AO3 a little while ago, actually, but wanted it here, too!

Despite having increasingly felt "oh, so everything I've heard about how TOS Kirk/Spock was overblown by fandom was just brazen lies, though otherwise I think I might disagree with about 90% of the fandom at all times" as the show went on—and shipping them like crazy—one of the TOS relationships that I found most endearing (and also surprisingly persistent) was actually a platonic friendship. So, in a shocking twist here at Anghraine dot Dreamwidth dot org (>_>), my first posted TOS fic ended up being a ... gen brotp AU one-shot. I've written more of it, but I posted it as a one-shot because the rest would entail a much longer fic that needs to bake in the drawer for a lot more time.

title: the only ones who can do it
characters: Spock, Nyota Uhura, James Kirk; Dr. Piper
length: one-shot, 2k
stuff that happens: Uhura is the captain of the TOS five-year mission, but not because Spock and Kirk aren't there.
notes*: all of my TOS fic is only for TOS; part of why the show clicked so hard for me was that it felt fundamentally different from other ST I'd seen (the original movies, TNG, AOS etc) to the point that I couldn't reconcile them in my head, even when I like them.

“I’ve got a problem,” he announced. “In life sciences, that is, which makes it your problem, too. Starfleet’s transferred dozens of social scientists into the division for this huge exploration they’re sending us on. More archaeologists, xenoanthropologists, psychologists, you name it—a lot more. New people from all over.”

Spock felt very certain that from all over meant humans from various parts of Earth and perhaps some Terran colonies. He had never served on a vessel in which he was not the only alien, and even he owed his post to the impossibility of splitting him between human and Vulcan vessels. He would not have put it beyond the admiralty to try, had there been any possibility of success.

“Assigning an increased number of experts in the social sciences is entirely logical for this endeavor,” he informed Dr. Piper. “A five-year mission into primarily unfamiliar regions of deep space will benefit from their knowledge, and in all likelihood, advance their disciplines.”

Piper waved this aside. “Yes, yes, undoubtedly. The problem is that I’m not exactly a cat herder.”

“A cat herder,” Spock repeated. For the first time in a year, two months, and six days, his bafflement at the idiom was entirely sincere.

Read more... )
anghraine: kirk and uhura from tos are dressed in the glittery horny outfits of their mirror counterparts; kirk gently holds uhura's shoulders while reassuring her of her importance (kirk and uhura [brotp])
J and I recently re-watched "The Return of the Archons" (after concluding it was the peak Christmas episode for various silly reasons), and there's this small and wonderfully in-character scene when the away party has found sanctuary with a local ally during the Red Hour. They're able to hide in this private room with some bunks, allowing for all but one of the entire party to sleep in the meanwhile. We don't actually see the decision get made. We just cut to the crew members all in the beds and Kirk having taken off his coat to wrap himself in a blanket, protectively keeping watch over his resting crew members. We just get a few quiet moments of this interspliced with the insanity of the Red Hour outside, which he observes with quiet disgust between pacing quietly around the little room, adding some folded clothes to cushion McCoy's head, making sure the young ones are sleeping in their bunks, and checking on Spock (who is lying on his back and either meditating or simply awake the whole time, not needing the sleep but—given how easy the nonverbal communication between them is in this episode—likely aware that trying to convince Kirk to take the bed is not, let's say, a logical use of his time).

It's very cute, honestly, and the episode is so beautifully made that it has an incredibly warm, pleasant quality on a purely visual level. It's the kind of thing that I think gets the kind of kneejerk "oh he's such a father to his men" despite TOS Kirk's very consistent aversion from anything smacking of fatherhood (very obviously for gender role reasons, not reactionary nuclear-family-meets-gender-essentialism retcons from 20 years later reasons). But I definitely ended up thinking "I can't believe I've seen multiple posts straining to frame Janeway as some kind of maternal figure as captain when she doesn't have a parental bone in her body—she's not Team Mom she's Team Captain—and meanwhile Kirk has 100x more fretful mama energy as captain to the point that his long-suffering maternal authority becomes the actual premise of an actual later episode."

In conclusion:





captain, are we there yettttttttt

anghraine: a close shot of catra from she-ra, a girl with cat ears, heterochromia, and long hair (catra)
two log cabins with snow on the roofs in a wintery forest the text snowflake challenge january 1 - 31 in white cursive text

Challenge #2: Pets of Fandom— Loosely defined! Post about your pets, pets from your canon, anything you want!

I would have gone for a pet in a canon, but I recently visited my parents and was enthusiastically greeted by the beloved family dogs. Tisha in particular, the older dog, is now ~13 years old and one of her eyes has gone from kind of hazy to entirely clouded over, but she has medication that makes her life comfortable and seemed very happy to snuffle at my hands and get her paw petted (imperiously holding forth her left paw to be stroked has been her weird princess behavior from puppyhood) and receive scritches and chatter at me in her crotchety old German Shepherd talk.

This was Tisha as a puppy in January of 2013:



This was Tisha taking the then-new kitten under her wing (almost literally) back in December of 2019, about six years ago:



This is Tisha as of just a few months ago, with the same feline protégée/partner in crime (they're definitely the Machiavellian geniuses of the two dogs and two cats of the family):


anghraine: kirk standing in front of a pile of books in "court martial," his face slightly turned and pleased; text: "stack of books with legs" (the description of him from the pilot) (kirk [stack of books])
two log cabins with snow on the roofs in a wintery forest the text snowflake challenge january 1 - 31 in white cursive text

Challenge #1: The Icebreaker Challenge— Introduce yourself. Tell us why you're doing the challenge, and what you hope to gain from it. 

I'm Elizabeth (aka Anghraine pretty much everywhere). I've been in fandom for ages at this point (I'm nearly 40, somehow) and I've written, uh, a lot of meta and fic, the bulk of it for Pride and Prejudice (book only, mostly Darcy/Elizabeth, my OTP of all time), the original Star Wars trilogy (movies only, with a side of occasional prequel material, mostly Skywalker feelings) and Rogue One (not Andor, not the novelization, just Jyn/Cassian in Rogue One), and Tolkien (especially Gondor and the Stewards, and sometimes Númenor). I'm also into various video games that I sometimes get super into: currently I'm playing BG3. Also, after growing up with Star Trek as comfort food of the soul but never getting fannishly compelled by what I was familiar with as a 90s kid, I agreed to watch TOS itself, dutifully insisted on watching every single episode out of completionist principles, and fell madly in love with it as its own thing. I've been obsessed with it (and especially with the highly unexpected blorbo of ultimate destiny, Jim Kirk himself) for pretty much the entirety of last year, specifically as a work of its own that feels fundamentally distant and separate from ST-as-franchise (and a lot weirder, which I love for it). This isn't likely to change any time soon!

As for Snowflake, I've done the challenge once, and really enjoyed it, intended to do it this year, got caught up in RL (mostly health problems that have resolved for now), and was reminded about it again by seeing people posting for it, and impulsively decided to jump in. I like using DW as more than a safe repository for fanworks posted elsewhere, and Snowflake is a good reason to use it for itself!
anghraine: a stock photo of an inkpot with a feather quill in it (quill)
I've been happily chewing on TOS for the last, uh, several months over on Tumblr (still laughing at myself that all I needed to finally get fannishly obsessed with ST was watch the first season ever; even the first few episodes aired at all were really enough to ensnare me, though it was actually the distinctly flawed S3 that made me completely obsessed, while J and I are currently at S6 of TNG in our ST marathon of ultimate destiny, and it's been a ... messier experience, let's say #justicefordeannatroi). But I've wanted to post more over here and I was lured by a meme from [personal profile] shadaras (and now, several others on my f-list!).

Rules: How many letters of the alphabet have you used for starting a fic title? Use one fic per line. ‘A’ and 'The’ do not count for 'A' and 'T.' Post your score out of 26 at the end, along with your total fic count!

My rough rules for myself: fics posted (even as WIPs) got precedence over fics that I've titled but have only posted in scraps or not at all, and fics that represent some particular significance for me took precedence over those that might be better or more complete but not as prominent in my own mind (if none fit that, I generally favored complete over WIPs).

A - Anomaly
  • Austen: canon-compliant Darcy/Elizabeth fic about Darcy being demi/grey-ace (complete).
B - Beneath a Pale Moonlight
  • Legend of Korra: AU in which the old theory that Amon/Noatak and Tarrlok were actually working together in S1 is (or rather, will be) true, but their pre-Amon backstory is the same; the fic is a one-shot about how that alliance could have been struck pre-S1 (complete).
C - climb a mountain and turn around
  • The Borgias: Modern USA AU in which they're not a crime family, just cutthroats in the publishing industry; the broader AU is abandoned, but I did finish the one-shot dealing with the fracturing relationship between wannabe novelist failson Juan Borgia and his overachieving twin sister Lucrezia (complete; there are some hints at the canon Cesare/Lucrezia incest, but it's mostly focused on Juan and Lucrezia).
D - Distaff Lines
  • Star Wars: fic about relationships among the Skywalker women, though it only got to Shmi Skywalker and Beru Whitesun (WIP).
E - The Edge of Darkness
  • Legend of Korra: AU ft. f!Tarrlok, but centered on Noatak/Amon and his relationship with his sister (the specific fic linked, dealing with their dynamic until Noatak's escape, is complete, but the series it belongs to is a WIP).
F - First Impressions
  • Austen: m!Elizabeth/f!Darcy re-telling of P&P (complete).
G - the gift of men
  • Tolkien (book only): Eldarion/OFC one-shot and canon-compliant sequel to LOTR, focused on the young Eldarion and his politically-motivated, but affectionate-turned-loving marriage to Faramir and Éowyn's younger daughter, who dies of old age long before he becomes king (complete; features an assortment of Fourth Age headcanons).
H - her earnest desire of being loved
  • Austen: brief, canon-compliant one-shot/P&P sequel about the first baby steps in the relationship between Elizabeth and Georgiana as sisters-in-law (complete).
I - in tongues and quiet sighs
  • Star Wars: Rogue One AU in which Jyn and Cassian live and are together, but centered on the relationship between Leia and Cassian and the undercurrents involving their more or less shared language; it was an attempt to take the "Space Spanish" trope that at the time was applied without differentiation to almost any character played by/adjacent to a Latine actor, and make it fraught and messy rather than blandly eroticized and often rather racist (complete, one-shot within a wider WIP universe).
J - The Jedi and the Sith Lord
  • Star Wars: the third of the main Lucy Skywalker fics (my long f!Luke AU), but the first to explore drastic long-term consequences; I felt it was pretty evident that Darth Vader's daughter would be a considerably harder sell than a son, given ... uh, everything about the OT Empire, so the immediate test from ESB is less urgent for Vader than capturing and turning her to the Dark Side before Palpatine writes her off altogether, and this is the fic about Lucy's captivity as experienced both by Lucy and Anakin, and the effects on both and their relationship (the fic is complete, the series is not).
K - kiss away everything I'd planned
  • Legend of Korra: an Amorra (Amon/Korra) side-story in an AU in which Korra is the Avatar in the iceberg, but she's broken out by siblings Tarrlok and Noatak decades "late" (compared to Aang). Azula is Fire Lord at this point in addition to many other changes, but this one is just a small side-story about Korra and Noatak's romance after all three flee Yakone into the blizzard (this one-shot is complete, the larger fic very much is not).
L - Love, Pride & Delicacy
  • Austen: a P&P femslash Darcy/Elizabeth AU that is not the direct re-telling of P&P that First Impressions was going for, but considering what I think are likely consequences of the change in their actual social context, with the RL homophobia and gender roles etc etc (it also includes racebending, insofar as it doesn't assume the Fitzwilliams must be 100% white). Catherine Darcy and Elizabeth Bennet have barely met in person, though Elizabeth has already gotten an earful from Wickham, but it follows the initial changes following from Darcy's absence in Hertfordshire as well as their romance (WIP I'll actually continue).
M - Man of Sorrows
  • Star Wars: AU of Revenge of the Sith in which Anakin dies in the Battle of Coruscant, but persists as a Force-ghost still very much prone to attachment (as complete as it will ever be, if fairly ephemeral).
N - The Natural Daughter of Somebody
  • Austen: technically canon-compliant prequel in which the common fanon that Darcy's father had an illegitimate child near in age to him is true, but the child is not Wickham; it's Mrs Gardiner, here an oblivious young girl visiting Pemberley (as she mentioned in P&P that she had previously) and having a chance encounter she doesn't fully understand with Mr Darcy's glamorous half-sister, who is fully aware of the connection (complete).
O - One More Tomorrow
  • Legend of Korra: the sequel to The Edge of Darkness, the f!Tarrlok & Noatak sibling drama fic above. Like the first, it focuses heavily on Noatak, now shifting into the Amon identity and projecting his sibling baggage onto his non-bending "brothers and sisters" he recruits as followers, only to be confronted with the reality of his actual sister he abandoned to their abusive father's mercies years earlier when she arrives in Republic City as the new, ambitious councilwoman representing the Northern Water Tribe (WIP that I'll definitely return to, halted after Amon captures Taraka and strips her bending).
P - per ardua ad astra
  • Star Wars: a Rogue One Jyn/Cassian AU in which Jyn, Cassian, and Bodhi escape Scarif (+ Jyn seizing Kaytoo's head) in their Imperial shuttle, with Cassian still very severely injured, only for the shuttle to get caught in the Death Star's tractor beam. Jyn exploits the Imperial paraphernalia and an established false identity of Cassian's as an Imperial captain, as well as his very real injuries, to pass herself off as an Imperial aide-de-camp desperately trying to escape the Rebel attack with the only people she managed to save. She's resourceful enough to squeak them past security in that guise, and Bodhi enough to disappear into the influx of stormtroopers brought onboard, while Cassian recovers enough to step into his own role, forcing all three to scrape by undercover on the Death Star and infiltrate actual Imperial social groups as the ANH plot plays out, including the destruction of Alderaan (WIP, though a long one with some major points of tension resolved; they've just reached Yavin 4).
Q - The Quality of Mercy
  • Star Wars: an old ROTJ sequel that aggressively rejects everything outside the PT and OT, particularly what I've always found the strange, underbaked treatment of Force Ghost!Anakin and Luke as an embodiment of PT Jedi dogmatism, but ended up having some odd similarities to the sequels—it ostensibly centers on Han and Leia's younger daughter, Padmé Organa, a steady young Jedi on good terms with her entire family, but the real ghost haunting the story is her difficult, brilliant, restless older sister Lyra, who has become increasingly more of a merciless, self-righteous zealot as a Jedi while also increasingly fixated on her Skywalker ancestry, alarming not only Padmé, her parents, and Luke, but also Anakin himself (complete in itself, though the larger universe it's part of never got anywhere near as filled out as I'd envisioned: news at eleven).
R - Revenge of the Jedi
  • Star Wars: also very old, an AU of Return of the Jedi inspired by some discarded earlier concepts like Luke's twin being a new character, a more gradual redemption for Anakin entangled with his evolving relationship with Luke, and Leia gathering and taking up leadership of the remaining Alderaanians, but also weaving in material from the PT even though it's of course drastically AU: Padmé still exists as Leia's mother, for instance, and her death was still pivotal for Anakin, but they were platonic best friends and she was reciprocally in love with Bail Organa (complete in an unresolved sense: I had planned a sequel that I never wrote and had some side fics I never finished, and a lot of the ideas for it actually got funneled into the Lucyverse later, but Revenge itself was meant to work on its own even if it doesn't wrap up the OT plot).
S - Since We Were Children
  • Matchmaker: a canon-compliant one-shot about the initial friendship between Francesca Haughston (then Lady Francesca Fitzalan), her brother Dominic, and their much more prestigious and wealthy neighbor, Sinclair Lilles, the future Duke of Rochford (the friendship is a canon detail from Candace Camp's Matchmaker series of Regency romances). I believe this may be the only fic I've written where mine remains the sole fic for the fandom; the quartet has four romances, but the real attraction is the one that develops along its strange, winding route through the whole series and its backstory, the love story of Francesca and Rochford. We meet them as two hypercompetent 30-somethings: childhood friends turned youthful sweethearts turned estranged former betrotheds turned friends still transparently deeply in love as beautiful fashionista widow Francesca Haughston, who conceals her ongoing financial straits via "gifts" she receives from the grateful parents of youths she expertly shepherds and matchmakes for (she's the matchmaker of the title), and Sinclair now the discreet, virtuous, scholarly, and immeasurably reliable Duke of Rochford. Camp, unfortunately, rarely trusts in the strength of her own characters to carry the interest of the story rather than melodrama, which unfortunately infects the quartet finale centered on them, but there's still a deeply compelling quality about their dynamic that got me interested in imagining how it all began (complete).
T - To Live Forever
  • Eddings: a 2.7k canon-compliant one-shot sequel to the Belgariad/Malloreon (and my sole Yuletide fic) that's essentially a guided tour through the post-Malloreon world as seen by a later Angarak scholar traveling through Maragor etc, as she looks for proof of the historicity of canon figures like Garion, Polgara, Belgarath and so on, while it becomes increasingly clear that she has a deeper agenda for seeking them out (complete).
U - until the last chance is spent
  • Star Wars: this is another Lucyverse fic, a one-shot set early in The Imperial Menace (after the destruction of the Death Star), but really all about Rogue One and how their sacrifices fit into the psychological space of this AU and into the relationship between Lucy and Leia in particular. I actually waited to see Rogue One before I decided if I was going to try and accommodate it in the Lucyverse, but it was such an ideal OT prequel for me that I promptly decided HELL YEAH and vented my RO feelings here (complete).
V - the voices of the sea
  • Tolkien: this is a 1.8k one-shot from one of my (multiple >_>) f!Faramir AUs, the one in which the Númenórean throwbacks of LOTR are all genderbent. In this one, Míriel (Faramir) discovers Boromir's death as a follow-up to an earlier one-shot centered on Aranor's (Aragorn's) grief after finding him dying. Míriel is, of course, no warrior and wouldn't be camped at night on the Anduin or any other body of water, but I still wanted to figure out a way for the mystical vision to occur and make sense as something carried via water, so instead had the idea of her vision of Númenor's destruction ft. Tar-Míriel being the appropriately watery conduit for the vision of Boromir's death (complete).
W - whatever we deny or embrace
  • Star Wars: unusually, this is a Tumblr link, because I have yet to figure out how to shift the older version to the revised version on AO3, but in any case, it goes to the last section of my Jyn/Cassian femslash AU (with links to the previous ones), ft. some Baze/Chirrut and Luke/Bodhi (the premise is that the entirety of the Rogue One main cast is queer in some way, ranging from lesbian Cassia to grey-ace gay Bodhi). Unusually for a multi-chapter loving genderbent fic of mine, it's complete!
X - x machina*
  • Star Trek: this requires more explanation (issuefic of ultimate destiny!), but the asterisk is there because it's not actually posted and I've only written the earliest section (though outlined a lot), so it's very much "in the works" and I wasn't sure it quite counted for the spirit of the meme. But: it was basically inspired by how deeply annoying I find the "how could you possibly think TOS Kirk is anything but (binary) transmasc lol top surgery" Tumblr/AO3 thing, when I think binary trans man is easily the least probable trans reading of a character who we're told was, at age 13, one of nine boys/men to survive and witness a genocide; who argues onscreen that gender difference isn't actually real, but who actively leans into pretty explicitly feminine roles and makes them work where he's viscerally repulsed by comparable masculine ones (e.g., his revulsion from the role of strong masculine ideal father-figure in "Charlie X" vs manufacturing motherhood in "The Changeling," Helen's coolly unsentimental sexy dude Lothario fantasy of him in "Dagger of the Mind" as a violation of the real Kirk vs his actively sultry, calculated Lauren Bacall-type femme fatale flirtations to escape trouble in too many episodes to count); and who literally ends up in a woman's body (played by a very good actress—the only actor to really capture Shatner's Kirk), proceeding to argue while in that body and deliberately dressed and made up in femme-androgynous style (for 1969) that everything that defines him as a unique individual can be contained in that body. Despite all this and copious evidence that the 23rd-century Federation hasn't progressed as far with bigotry around gender and sexuality as the show tries to suggest it has with other bigotries, transfem Kirk is vanishingly rare in the fandom and nb!Kirk of any kind is barely more common, even via the obviously available sci-fi tropes/mechanisms. But binary defined-exclusively-by-masculinity Kirk is everywhereeeee (including among the crowd who describe anything Kirk does around gender as "butch" including declaring himself a mom but seem like they'd crumble into dust before suggesting he could be transfem for real). ANYWAY, I decided to be the change I want to see rather than just complaining, and write the "Turnabout Intruder" AU of my dreams in which Kirk and Spock (who is very much the "I am not a man" Spock) do succeed in running away hand-in-hand, Kirk is navigating being stuck in the body of his abusive ex yet also mysteriously more comfortable with it in some ways (helped by promptly dying his hair, wearing contacts, and changing his make-up to cover their trail), the Kirk-Uhura brotp is front and center, and realizing Janice-as-Kirk may well have poisoned the well at Starfleet, Spock instead manages to surreptitiously reach out to the VSA about the bodyswap machine and get Kirk sanctuary on Vulcan in the interim (the AU assumes no convenient time-out on the effect with Kirk and Janice light-years apart; instead they just get some minor though intriguing-to-the-VSA effects on their DNA). The title, of course, is a reference to the deus ex machina trope, but also to the literal bodyswap machine that serves as a deus ex machina for both Kirk's and Janice's gender treks in their different ways despite all the fuckery involved (let's just say that Janice isn't waxing their chest any time soon while Kirk is basically "I'm whatever gender gets me the Enterprise back and couldn't care less what pronouns make it happen").
Y - Yours, Et Cetera
  • Austen: this is an epistolary side-fic to First Impressions, my m!Elizabeth/f!Darcy retelling of P&P listed above, because my earliest phase of structuring First Impressions involved just writing the letters for that universe and I'd had an idea of actually finishing all the letters happening in the background as a separate fic (though entirely consistent with it). I never actually finished them, though I had fun enough with what's there, so it's a forever unfinished hiatus piece at 3k.
Z - zone of omission*
  • BG3: this is the f/f/f/ fic I nicknamed "the worst OT3": cleric of Mystra!Tav/f!Gale/Mystra, inspired about equally by a wise post from my friend [personal profile] venndaai about how every BG3 companion would be a bit better if genderbent (goth priest m!Shadowheart, dashing Blade of Frontiers f!Wyll, etc) that hit especially hard for Gale (middle-aged ambitious lady wizard nerd with the allure and talent to attract Mystra herself and all the f/f drama there, a compelling mix of real kindness and little moral fiber, and a need to chew down magic boots to keep the world from exploding? <3) + the intrinsic hilarity of cleric of Mystra/Gale + the wildly suggestive way a cleric of Mystra can talk about Mystra herself in emphatic agreement with early Gale. The title is a pun on the cleric spell "zone of truth" because all three people involved (Larissa, Gaila, Mystra) have a strong habit of lies of omission that aren't exaaaactly false, but. This is one I've talked about and posted a few scraps for, but it's still far too primordial for AO3 or anything like that, so I wasn't sure about "counting" it.
And that's every letter, for 24/26 or 26/26, depending on how you count them :D BEHOLD MY STUFF

We won't talk about how long this meme has been in my drafts, lol, so I think most people I'd ordinarily tag have already done it. If you've gotten far enough to see this and haven't done it, though, consider yourself tagged!
anghraine: Uhura and Chapel kiss in the background, ignored by Spock (spock [oblivious])
I think perhaps the most purely "wait, what" fanon to me (even surpassing Kirk Drift in strangeness, though much less annoying) is this rough scenario that I've probably seen dozens of times at this point:

1. Spock and Kirk are either already together but there's some uncertainty about where they stand with each other, or it's unrequited-but-not-really pining or whatever. Regardless, Spock does something that is pretty understandably upsetting or hurtful in the context of their relationship.

2. Kirk is privately upset and vents to McCoy about [thing].

3. McCoy upbraids him for being insufficiently understanding of where Spock is, or might be, coming from and for being immature enough to sit around being upset instead of handling the communication in his relationship with Spock.

Read more... )

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anghraine: vader extending his lightsaber; text: and now for the airing of grievances! (Default)
Anghraine

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