>_>

Jun. 6th, 2025 09:03 am
anghraine: A female version of Spock from Star Trek made in Star Trek Online; she is slender, with a short bob; she is wearing loose black trousers instead of a miniskirt (s'paak [figure])
So I'm sorting through my many, many notes for the K/S femslash AU jotted down in email drafts and elaborate notes on chronological outlines and grumpy additions to passages where I'm like "actually it needs to happen differently, more like blahblah, especially if I want my version to correspond with this conceptual detail from TOS I really like..."

Between moving across the city, asthma problems, a death in the family, looking for work, etc etc, some notes are hyper-organized and others are all jumbled together with no rhyme or reason. So it can be silly and fun in its own way to impose some kind of order when it's like:

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anghraine: kirk stands behind an elderly man turned away from him; kirk's manner is severe and almost menacing while the old man (kodos the executioner) looks thoughtful (kirk and kodos)


Okay, look, I swear I’m doing other things than this fic. I also wrote original fiction yesterday, and spent time with friends, and I’m going to re-certify my repayment plan today, and you know, anyway, here’s a prequel snippet to the one about femslash Spirk emotions after “Conscience of the King.” This is set earlier, as S'paak hunts down the clues about Kirk’s motives during the plot of the episode.

S’paak had been puzzled in her youth at the tales of her barbaric ancestors—the Vulcan ones, not the human ones. They had been a people of unrestrained passions of all kinds, prone to anger, violence, war, irrational attachments, even to hunting animals that presented no danger to them. They had been willing to incinerate their planet before forgetting a wrong to themselves or their clans. Only later had Vulcans found another path, the path of peace and reason to which she had long committed herself. It felt so natural to her that she often found this history of her people difficult to believe, difficult to even imagine, and yet it was so.

It took her until the first year of the Enterprise’s deep-space expedition to understand.

The inexorable activity of her mind had linked the captain’s uncharacteristic abruptness to the murder of Dr. Leighton. S’paak had not forgotten Kirk’s private inquiries about his professional reputation, and this left her all the more intrigued by the captain’s sudden demotion of a blameless Lieutenant Riley, as well as suspicious of their new guests. It was an easy enough task to order the nearest ship computer to correlate all known data on the individuals she thought concerned—Thomas Leighton, Jessica Kirk, Kevin Riley, Anton Karidian—but less easy to hear the results.

S’paak had not known the details of the starvation of the Tarsus IV colony twenty years earlier, nor of the eugenicist policies of its governor in determining who would receive the remaining rations, nor of the scale of slaughter that had taken place as thousands were marched into converted anti-matter chambers. She had certainly not known that Dr. Leighton, Kevin Riley, and Jessica Kirk—Jess, her friend—were among the witnesses and survivors. In addition, these three were on record as having seen the notoriously reclusive governor with their own eyes.

Nine survivors of the massacre had received that dubious honor. After Leighton’s murder, only two of the nine remained alive, Kirk and Riley. Leighton, older than both, might well have recalled Kodos’s face clearly, and now he lay dead. Riley had been a small boy. Jess, though, had been thirteen. Still a child, but old enough to remember. Old enough to be dangerous to the guilty.

anghraine: A female version of Spock from Star Trek made in Star Trek Online; she is slender, with a short bob; she is wearing loose black trousers instead of a miniskirt (s'paak [figure])
I wrote more femslash K/S, and spent hours more than I had anticipated on it because this section grew in the telling (i.e. it came to encompass multiple episodes’ worth of S'paak restraining both gay longing and seething hatred of certain individuals). So this is just an excerpt from a considerably longer section.

Also, the context of the episode this section draws from merits a massive warning for sexual coercion that is highly relevant to what happens here.

The Scalosians would have trapped the captain for the rest of her life if not for her own ingenuity in conveying information across time, and McCoy’s rapid development of a cure. Of course, he hadn’t known how to get it to Kirk, and had stared when S’paak promptly drank the Scalosian water.

“S’paak, you don’t know what that will do to you!” he exclaimed.

She did not betray herself with an indifferent shrug, but felt the temptation. He knew his field, even if she was loath to depend upon his judgment in many other matters. And they had no other way to reach Kirk. For S’paak, it was an easy risk to take, and within minutes, proved worth it. She quickly found the captain, and was only too willing to formulate a quick plan of attack with her. She would have done more if Jess had asked. Instead, they forced the Scalosians back through the transporter to their own planet, and S’paak handed McCoy’s cure over to Jess. It worked, thankfully; she vanished back into the ordinary flow of time while S’paak repaired the damage to the ship with her usual efficiency.

The silence and emptiness as she repaired consoles were pleasant in some respects; she could not deny that. But her skin crawled enough that when she was done, she hurried to the bridge in a less dignified manner than she would ever have done before others. Without hesitation, she drank down the rest of the antidote.

The other crew members frozen on the bridge began to move, slowly at first, and then at their usual bustling pace, several starting as they noticed her. For once, S’paak could welcome being stared at. She turned to see Captain Kirk smiling slightly at her.

“Commander S’paak,” she said, “my compliments to your repair work and yourself.”

anghraine: t'pring from tos: she is a vulcan woman with dramatic, sparkly silver eyeshadow and dark hair in a tall, elaborate coiffure (t'pring)
It’s well past midnight, but I felt like doing another piece of the femslash Spirk AU for WIP Wednesday (surprising no one) and what came out was … T'Pring POV? This is, of course, set in the direct aftermath of S'paak’s pon farr (as sketched out here), but in an AU version of “Amok Time”:

As a girl, T’Pring had harbored an irrational, and thus regrettable, envy of t’sai S’paak. She had resented S’paak’s status as the daughter of Sarek, and her superior performance on certain mathematical examinations given in childhood, especially as S’paak was but half a Vulcan. In a little time, of course, T’Pring overcame such childish emotions, and thirty years later, she regarded S’paak only as the obstacle to her own desires.

The death of the Starfleet captain sufficed well enough for her plans; indeed, she had considered this the most likely eventuality. The body of the captain and the doctor were transported to their ship, and S’paak, clearly rational once more, walked over to speak to T’Pau and Stonn—mainly T’Pau. T’Pring could not hear them from where she stood, but Stonn did not communicate any failures of their plan to her.

Before she could think further on any of it, S’paak strode directly over to T’Pring herself, perhaps due to information received from Stonn or T’Pau, or perhaps no more than her own deductions. It would not take great acuity of observation to recognize T’Pring’s hand in the proceedings, after all: certainly less than S’paak had always possessed.

T’Pring was not afraid. She lifted her head and met S’paak’s eyes, both of them smooth-faced and unflinching. Whatever human qualities S’paak might have inherited from her mother were nowhere in evidence.

“T’Pring,” said S’paak, “I am wondering why you sought my death, or that of my captain.”

anghraine: kirk and spock stare at each other in a turbolift on the enterprise; their shadows projected on the wall behind them are nearly touching (kirk/spock [turbolift])
I finished TOS today :’(

From J’s loathing of the series finale, I thought it would be worse tbh. It is not good, to be clear! Obviously the whole conceit of the episode is intensely misogynistic (and transphobic, though I think that was less intentional). And Janice is so completely identified with Gender Rage while also being so mediocre as a person that her characterization is somewhere between insulting and comically stupid, but with a bit of generosity there are some things I still find intriguing about it.

anghraine: A female version of Kirk from Star Trek made in Star Trek Online; she is a curvy woman wearing the TOS miniskirt in command gold; she has dark blonde hair pulled away from her face (jessica [close])
astarreborn responded to this post:

You should flip some of the women toolike city on the edge of forever, and the ingenue from conscience of the king,

I replied:

I've been thinking about this, because I tend to prefer AUs that take a relatively restricted premise and see where the specific consequences of that premise go rather than adopting a whole bevy of changes, but also I can't really see a way around the implicit homophobia without more changes... hmm. I would probably not switch Edith (that romance is more interesting to me as f/f in that cultural context) but Kodos's child being a son makes a LOT of sense, Charlie X would go really differently with f!Kirk unless Charlie is also a girl...etc. 🤔

astarreborn responded:

You could flip yoeman rand just for the fun changes to the enemy within. On further thought i agree with you on edith.

Is it ok if I come back in a few hours with more thoughts? I don't want to annoy you too much, but I really like this idea


I replied:

No problem! I'm delighted anyone at all is interested :)

anghraine: A female version of Kirk from Star Trek made in Star Trek Online; she is a curvy woman wearing the TOS miniskirt in command gold with knee-high dark boots; she has dark blonde hair and the bridge computers of a Federation starship are glowing behind her (jessica [full])
In response to this post about my particular femslash Kirk/Spock concept, smallblueandloud reblogged with my tags attached and then added (on Jan 23rd):

#goddddddddd i am loving this #LOVE the thought you put into kirk’s name #i can see why deborah was your first choice but i’m excited to see where jessica goes! #the idea of kirk as an odysseus archetype is something i’m really fascinated by and i want to think about that more so

I replied:

Thank you on all fronts!

I actually put even more elaborate thought into Kirk’s name and cut most of the explanation out lol, so I’m glad it works and that you’re enjoying this deeply Anghraine™ dive into ST feelings.
anghraine: kirk stands behind an elderly man turned away from him; kirk's manner is severe and almost menacing while the old man (kodos the executioner) looks thoughtful (kirk and kodos)
Femslash Spirk scrap for today (at a point around the end of “The Conscience of the King”):

“I will admit,” said S’paak, “that I do not find the governor’s presumed fate a particularly grievous one, captain. I see no reason that skill at performance should exempt anyone from justice, much less someone guilty of Kodos’s crimes.”

Captain Kirk’s lips curved into an unconvincing approximation of her typical expression. “His skill at performance wasn’t the difficulty, unfortunately.”

S'paak could not help but wonder what Kirk would have done if events had not taken the matter out of her hands. Dr. McCoy could talk with Karidian’s own theatricality about blood and severed heads and vengeance, but Kirk had been cautious to the point of near folly. True, the Jessica Kirk of Tarsus IV had been a girl of thirteen, and the uncertainty of human memory made caution understandable. But the weight of evidence was so clear.

Even so, Kirk—a woman more prone to leveraging emotion than hiding its existence—had not fully succeeded in concealing her true thoughts. At least, not from S’paak. Kirk had gone from uncertain and reluctant to grim, fearless, admirably unfaltering. S’paak guessed that, in the end, Kirk would not have hesitated to personally consign Kodos to the fate he deserved had circumstances allowed for it. That was not an irrational vendetta, however bitter, but deserved and necessary.

“Those difficulties are past,” said S’paak, “thanks to you, with respect to both him and his daughter.”

“Not me alone. But thank you, I think,” said Kirk. She turned slightly away, though not before S’paak observed the uneven inhalation of her next breath, the quick, repeated flicker of her lashes. “Riley deserves more of your sympathy, though. He’s younger than me, lost more, and I ... I’ve always needed challenges to struggle against. Something to overcome.”

“I see no logical reason for starvation to be among those challenges,” said S’paak flatly, “nor the massacre of civilians, least of all when they are sent to death on no pretext except baseless pseudoscience.”

anghraine: t'pring from tos: she is a vulcan woman with dramatic, sparkly silver eyeshadow and dark hair in a tall, elaborate coiffure (t'pring)
Femslash Spirk update: I’ve been brainstorming how “Amok Time” would even work and am really entertained by one solution I came up with:
  • The child marriage of Spock and T'Pring becomes one between S'paak and Stonn, who is still infatuated with T'Pring in this universe.
  • T'Pring remains the architect of the homoerotic duel and it still happens; I think she has already dealt with her own husband in some fashion or another and S'paak is now the only obstacle between her and Stonn.
  • I’d feel weird about the incredible “Kirk gets slashed across the chest in just such a way as to reveal his nipples” scene happening exactly that way with Jessica; I think the result here is instead very AOTC Padmé.
  • I think S'paak is surprised and unwillingly impressed by Stonn being capable of such calculating reason as this scheme required, not expecting it of him, and is rather relieved to discover that the real mastermind was T'Pring and her judgment of him was not mistaken.
  • Spock’s icy line to Stonn about how he may not find T'Pring as enjoyable to live with as to pine after becomes a warning from S'paak to T'Pring about Stonn’s mediocrity.
anghraine: kirk and spock stare at each other in a turbolift on the enterprise; their shadows projected on the wall behind them are nearly touching (kirk/spock [turbolift])
Further contemplated the femslash Spirk concept while I was going to sleep, inevitably, and concluded:
  • I am perfectly aware this has been done before in the last, you know, nearly 60 years of this ship’s towering fandom influence; I’ve definitely seen art and cosplay. However, I’m deliberately insulating myself from reading any other versions until the finer details are more nailed down in my own head.
  • McCoy is definitely still a man (specifically DeForest Kelley c. TOS) because it only later occurred to me that 1) thematically, I definitely prefer this trio as a mixed gender group and 2) the advocate for emotion and instinct and human warmth being a male doctor and the voice of logic and discipline being a woman and technically his superior pleases me greatly. I also like the McCoy-Kirk brotp as a male-female friendship that is intense, complex, and 100% platonic.
  • I’m still figuring out how Kirk being repeatedly menaced by the woman of the week would pan out with f!Kirk. With m!Kirk, it feels like the show pushes him having an irresistible appeal to women in general (regardless of the woman’s morality) that is in part where this ultimately comes from, but a) the show is also very concerned with matters of autonomy/violation mainly mediated through him as protagonist, and b) he’s got a lot of Odysseus tropes to him (among others) as a character that make his femme fatale allure and willingness to use it as a tool more interesting than as the inevitable fate of a female space captain. Also, even in a femslash context, it feels homophobic for it to always be women sexually harassing f!Kirk, especially considering just how far it goes in S3 (I think his first basically consensual kiss, in terms of both consent and all his faculties being online, is 16 episodes into the season, and that one is a result of deliberate deception; 18 episodes in, he has an actual if underwritten romance, but he's also being dangled by a third party before his love interest as a sort of glorified sex toy, though both he and the woman in question are allegedly truly in love, and at that point he's been raped at least once and I would argue twice, and had a purely non-con kiss and another that's dubcon at best).
  • Kirk’s going to be Jessica instead of my original idea of Deborah. I was thinking of what would be a sturdy, ordinary name in the Midwest comparable to James that would also abbreviate conveniently to a common short form (Jim / Deb / Jess). I wanted the shortened version to be something that could carry the emotional weight of Spock’s very occasional “Jim” without feeling that the nickname itself is more significant (gender-wise) than Jim is for a dude from Iowa. I also wanted to avoid the -y/-ie endings of so many English nicknames (sorry, Francophones). Deb seemed to work well, except I’d forgotten that I have a considerably older family friend who not only uses Deb (and is named Deborah) but happens to have very similar coloring and background to young Shatner. As I was plotting the femslash, the association with her felt increasingly weird and uncomfortable, so I switched to Jessica (chosen for reasons largely unrelated to it also beginning with J, but that helps!).
  • Does Jessica Kirk wear the miniskirt and go-go boots while issuing non-negotiable orders from her captain’s chair? Definitely.

Tagged: #i feel like jessica unironically loves the uniform and s'paak finds it deeply impractical for both of their positions #also the aesthetic is vaguely romulan and she doesn't care for that at all. except on kirk specifically for mysterious reasons #a mystery requiring further study obviously. lots of further study.

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anghraine: vader extending his lightsaber; text: and now for the airing of grievances! (Default)
Anghraine

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