anghraine: an armoured woman with a sword against a gold background (éowyn (pelennor))
This anon said:

thanks for answering my question about faramir :) i also had a similar follow up q if you didnt mind: what do you think drove eowyn's attraction to faramir? its a common criticism that it seems like a sudden about face for her character, especially in light of her prior attraction to aragorn & how she turns from warfare to peace... but again, imo a near death experience and the loss of someone close to her is as good a cause as any

I replied:

You’re welcome!

I think it’s somewhat fair to criticize the abruptness of Éowyn’s shift in terms of how it’s presented (rather than the literal time scale, which is less important in the circumstances IMO). We see Faramir and Éowyn briefly interact, then they have these conversations we don’t see, and when we see them again, they’re friends/he’s fully in love with her. I think that if we saw more of this offscreen development of their relationship, and perhaps some grounding for the peace/healing/gardening turn beyond the symbolic, there’d be less criticism of how abrupt things are (still some, but less).

Their story is tangential to the wider narrative, in fairness, and I think it’s generally quite beautiful as written, just a little rushed structurally.

Setting that aside, though, there’s something about the shift from Éowyn/Aragorn to Éowyn/Faramir that I think gets a bit overlooked—

—and it’s that Faramir is quite a bit like Aragorn.

It’s not that he’s a second-rate replacement for Aragorn, to head that off right away. But he does possess the qualities that Éowyn genuinely finds appealing in Aragorn; he’s very tall, a great warrior, a charismatic leader, stern but capable of lightness, thoughtful, intelligent, learned, bold when necessary but self-controlled, and is both human and Elvish/wizardly in his air, beliefs, and abilities (and this list is not exhaustive!).

However, part of Éowyn’s attraction to Aragorn also springs from a mix of immaturity and misery. Tolkien remarked that the disparity between Aragorn’s actual age (80s) and appearance (only middle-aged) makes his impression on her all the more powerful. For this very reason, though, Tolkien decided the pairing didn’t work—he’s too old for Éowyn, and the impression he leaves on her leads to infatuation/idolization rather than mature romantic love.

On top of that, Éowyn’s situation in Meduseld is inexpressibly nightmarish and and in Aragorn, she sees a path out of Rohan that would lift her ‘up’ above her suffering and shame. Once there’s no chance of that, she goes seeking death—not truly because of ‘love’ for Aragorn, but because she’s been so trapped and can’t see any other way out that coheres with her ideals for her house and for herself. It’s significant that she ultimately tells Faramir that she no longer desires to be a queen—that was a significant part of Aragorn’s attraction for her.

And the thing is that the qualities that made her infatuated but not really in love with Aragorn are the things that are mostly not there with Faramir. Tolkien explicitly says that, while Faramir has a ‘high’ air, it’s not as high or remote as Aragorn’s can be. Rather, it’s more immediate and constant. Faramir isn’t old or overwhelming; he’s quietly impressive in a way she respects without being swept off her feet into infatuation. He doesn’t represent a way out; he’s not going to rule Gondor for much longer and has no idea what his future will be, yet she’s drawn to his gentleness and dignity anyway. They’re friends. They talk about things, they bond in these incredibly difficult moments when she finds herself drawing close to him. It’s not a relationship she’s built up in her head; it’s all real.

Even though this is all happening quickly in calendar time, I think it’s quite gradual in the emotional sense, as Éowyn goes from respect (and, I think, attraction) to friendship to falling in love without quite understanding what’s going on, to finally understanding what’s actually going on in her head and heart, and seeing a way to live that isn’t about escape or glory, but—living. I think that her newfound value for life and her subconscious love for Faramir have been building through all their interactions, and in the end, come naturally together in this flash of realization.

Tagged: #rambling a lot but this is def how i feel about it generally #her transition is mostly framed as war -> peace #which is certainly there #but i think it's also very much from imaginary -> real
anghraine: a picture of grey-white towers starting to glow yellow in the rising sun (minas anor)
[personal profile] chestnut_pod left an intriguing comment on my post here in terms of racial purity/elitism in regard to Gondor c. LOTR and the characterization of contemporary Gondor by other characters, most glaringly Elrond. I started to reply more concisely, but the rant grew, so I'm just posting it here:

I always struggle with the reality that much of what Elrond says about Gondor at the Council is objectively wrong as well as repugnant, but the narrative doesn't really frame any of it as incorrect or morally dubious or a reflection on his character at all (despite the semi-corrections made by Faramir later, which somewhat ameliorates this, but only somewhat). In fact, the person who is framed as suspect in the Council interactions is Boromir for being offended and "rudely" outspoken about it (both on behalf of Gondor and Rohan) in addition to being ambivalent (not even especially negative! just unsure!) about the practical significance of Aragorn's pure royal blood.

Elrond also glorifies Gondor's former imperial power through comparison with Númenor's. His regret over Gondor's decay is tied to ideas of racial impurity (which in Gondor is a direct consequence of Númenórean and Gondorian imperialism, and which in any case is a bizarre characterization choice for him specifically) and to Gondor's inability to sustain its empire. I feel like all these sentiments are treated in the text as pretty understandable and sympathetic and right-thinking, even if Elrond turns out to be mistaken about some specific things.

Basically, it feels like the general perspective is that the Stewards were wise to move towards a more diverse and integrated Gondorian society, to recruit outsiders, to do what was necessary to keep Gondor standing and opposing Sauron where multiple purer and more insular factions failed. They were wise to relinquish imperial holdings they didn't have the power or inclination to control. But this stuff also seems to be treated as a regrettable necessity. All this is tragic and everyone who cares is kind of sad about it. As a result, Elrond's melancholy over modern Gondor, while mistaken on specific points, seems somewhat validated by the narrative framework.

For instance, in the description of the (100% heroic) people of Lebennin, we can see that element of reservation about modern Gondor with regard to race and racial mixing:

the most part of the people of Gondor lived in the seven circles of the City, or in the high vales of the mountain-borders, in Lossarnach, or further south in fair Lebennin with its five swift streams. There dwelt a hardy folk between the mountains and the sea. They were reckoned men of Gondor, yet their blood was mingled, and there were short and swarthy folk among them whose sires came more from the forgotten men who housed in the shadow of the hills in the Dark Years ere the coming of the kings. But beyond, in the great fief of Belfalas, dwelt Prince Imrahil in his castle of Dol Amroth by the sea, and he was of high blood, and his folk also, tall men and proud with sea-grey eyes.

And I think Aragorn and his royal purebloodedness are deeply bound up in this. To an extent, this framework also validates the Northern Dúnedain's prioritization of Númenórean purity above all else. The negative extreme of their position is mediated through Gondor (in the Kinstrife) and then (~sadly but necessarily) becomes less of a priority over time. Thus Gondor survives through "hard" choices like "sustaining the population through interracial marriage" and "including local indigenous people as full citizens." So there's still a substantial polity left for the ultimate result of the Northern Dúnedain's blood purity—Aragorn—to rule over and "restore". But the Northern Dúnedain themselves don't have to compromise their valuation of purity for this to occur, and in fact, the purity they so carefully maintained in the royal line only makes it all the more natural for Aragorn to rule over the racially and culturally "impure" Gondorians and to forge their nation into a new, kinder and gentler(...) empire.

Further tangent: It's unsurprising that Tolkien struggled a bit with figuring out who would be suitable for Aragorn to marry and thus whose blood would mingle with his into the next generation. If I recall correctly, Arwen was created pretty specifically to be Aragorn's queen and to reinforce his bloodline (this was done in a fairly evocative way, but still). I do get why Tolkien felt Éowyn was too young etc for Aragorn, and I prefer Faramir/Éowyn by a mile, but I am not convinced that Éowyn's "lesser" racial status (in-world) was not also part of the calculus.

Anyway, I guess Aragorn's rule is the intended compromise between Faramir's explicit "a king would be nice but not dominating other people" and the various awful imperial legacies at play. But it feels to me like the suggestion here is that the problem is doing empire wrong rather than doing empire at all.

I do think that Tolkien had pretty messy feelings about this and you can see him trying to complicate various aspects in some of his post-LOTR writings. LOTR frames early Númenórean imperialism as uncomplicated benevolence towards, I think he said, "lesser" races of men; over a very long time, their dominance in Middle-earth becomes corrupted and nightmarish. But by "The Mariner's Wife," it's evident that their involvement was morally compromised and horrific from day 1, yet Tolkien also tries to complicate that with Aldarion's mixed motives (partly it's straightforward empire-building for its own sake, but partly he's trying to prepare for a very real threat and Ancalimë's refusal to continue his policies in Middle-earth is not exactly bad but certainly not good). Tolkien even argues in Peoples of Middle-earth that the High Men/Middle Men/Wild (or Dark!) Men distinction in LOTR is entirely about cultural affinity for "The West" rather than race as such (I doubt this was quite the intention in LOTR itself), and moreover adds that plenty of people had pretty good reasons for cultural opposition to "The West" because of devastation previously wreaked by Western powers like Númenor. (The subtext is not subtle.)

But I think there's always this partly-aesthetic, partly just racist appeal of the "good" empire ruled by a(n ideally pureblooded & superior) racial elite for him, alongside his ever-increasing skepticism about what this entails and what it can lead to and if it will inevitably be corrupted and how that interacts with (in his view) the intrinsically fallen nature of humanity. So it's a mess and there are these points of reservation and skepticism and outright criticism of things like racism and empire and the interrelationship between them embedded within his work that can give us some room to maneuver, I guess? But the overarching trends voiced by characters like Elrond and Aragorn are still really present and unavoidable.
anghraine: a man with long black hair and a ring on his hand (faramir [hair])
Look, I am what I am.

Context:
  • There is never any expectation of f!Faramir being a warrior, which leads to a much better relationship with Denethor, but also to Denethor being the only one apart from Imrahil [needed for the sortie] who is equipped to lead soldiers against the dread spread by the Nazgûl.
  • He does so, falling in battle, while Fíriel uses her abilities to stave off the Black Breath as much as possible in the Houses of Healing.
  • She meets Aragorn there and is impressed, but has no mystical healing experience to take her from Faramir’s “maybe” to “the king has returned.”
  • She and Éowyn met more or less per canon and are now good friends.

Read more... )

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anghraine: vader extending his lightsaber; text: and now for the airing of grievances! (Default)
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