anghraine: adora as she-ra holding an unconscious catra in her arms (catradora (save the cat))
silentstep said:

they're all very spoilery, so you should wait until you're done watching the series, but you should check out tinfang_warble on AO3 for some really good she-ra vids! full disclosure I am biased b/c they are my partner BUT also genuinely I think their vids are great.

Oh, thanks! I look forward to it—I really love vids, and this is a canon where I’m definitely leaning towards visual content.
anghraine: a picture of a wooden chair with a regal white rod propped on the seat (stewards)
I normally keep my various personas somewhat separate (mainly: Anghraine + my original fic writing persona + the academic identity). But one of the sf/f magazines I follow on my Twitter original fic account just tweeted out an article for the magazine on fanfiction’s effect on editing, for an unexpected crossing of the thought streams. It was cool, so I looked at the author—and I’ve met her before! In person! It was at an academic conference, under my actual name.

I mean! She attended a panel I was on, asked questions, and gave us all her business card! This was well before she wrote this article, and it’s not like I know her just because we briefly interacted once (she was an editor at Tor lol), but still, the world can be unexpectedly small.

Tagged: #someone i met through my rl self writing about something mostly of interest to my fandom self #coming to my attention through my original fic writing self... weird

steinbecks said:

oooh can you link??

[personal profile] primeideal said:

love it when that happens!


[personal profile] yavieriel said:

Pls link! I’m very curious what that article says

[ETA 5/1/2024: I think I forgot to respond at the time, but I was talking about Diana M. Pho's article in Uncanny here.]
anghraine: hayley atwell as mary crawford playing a harp in itv's mansfield park (mary crawford)
An anon asked:

I feel like you've probably been asked this before, but which Austen novel do you most recommend? (I've read p&p and really loved it!)

I replied:

My favorite after P&P is Mansfield Park, but a lot of people bounce pretty hard off of it. It’s longer, more sober, much less classically romantic (I ship the heroine and her rival muuuuch more than the main canon couple), and often considered morally messy.

If that’s not your thing, you might want to try Persuasion. It was written towards the end of Austen’s life in the later 1810s, whereas P&P was first written in the mid-1790s, so it’s very different in some ways. It definitely engages with a changing world where P&P really belongs to an earlier era. But it’s interesting, and IMO very touching in its own right.

[personal profile] heckofabecca said:

my 3 favs <3
anghraine: choppy water on a misty day (sea)
Speaking of Todd in the Shadows, the bff and I were watching a different video in which he (Todd) casually mentions his respect for the music knowledge of Mic the Snare. I'd seen his videos come up for me in the algorithm and always ignored them as some corporate thing, but with Todd's recommendation, I figured I'd try some of the "Deep Discog Dives" I'd seen popping up.

They're quite good! The comedic elements in these aren't as sharp as in Todd's, but this guy seems considerably younger and the comedy is definitely a sideshow to the research and analysis of the music, so even when jokes don't quite land (and often they do), it's not a big deal.

Anyway! The concept of these turns out to be overviews of the entire discography of an artist or group—it's at once breezy and quite specific in his analysis of individual songs, so I've enjoyed the videos I've seen thus far. Naturally, I watched the Queen one, which I really enjoyed as a Queen fan. And it was cool to see someone give the Innuendo album the respect I feel it deserves! People often focus on the 70s albums and talk like the 80s (and 90s!) albums are mediocre sell-out letdowns, but Mic the Snare recommended Innuendo along with the big 70s albums everyone knows. And he didn't even mention "The Show Must Go On" when talking about how great it is. A rather weird omission, but it was cool to see someone talk about the rest of the album.

I was curious if there'd been some larger re-evaluation of Innuendo and read an article in Rolling Stone about it, which was a bit surreal given how persistently shitty Rolling Stone was about Queen in Freddie's lifetime. There was a bit about Freddie's stated determination to work until he dropped, which of course feels different in light of him doing exactly that while dying of AIDS, but idk, there's a weird tenor to the article IMO. I kept thinking "no thanks to you."

As I typed this, I was actually thinking about how much I love the later Queen material and was curious how many of my personal favorite songs are from the 80s or 90s. Naturally, I do have a Queen playlist of my personal ranking of Queen or Queen-adjacent songs—not as some claim to objective quality, just personal enjoyment and affection. I figured I'd listen to it again and see if my top faves actually do skew in any particular direction, so here's my personal Top 20!
  1. Under Pressure | Queen and David Bowie (1981)
  2. The Show Must Go On | Queen (1991)
  3. Who Wants To Live Forever | Queen (1986)
  4. Ensueño | Freddie Mercury and Montserrat Caballé (1987)
  5. Bohemian Rhapsody | Queen (1975)
  6. Barcelona | Freddie Mercury and Montserrat Caballé (1987)
  7. Crazy Little Thing Called Love | Queen (1979)
  8. Radio Ga Ga | Queen (1984)
  9. Don't Stop Me Now | Queen (1979)
  10. Princes of the Universe | Queen (1986)
  11. Seven Seas of Rhye | Queen (1973)
  12. '39 | Queen (1976)
  13. I'm Going Slightly Mad | Queen (1991)
  14. These Are The Days of Our Lives | Queen (1991)
  15. Love of My Life | Queen (1975)
  16. Somebody To Love | Queen (1976)
  17. We Will Rock You & We Are The Champions | Queen (1977; I know they're separate songs technically but shhhhh)
  18. Another One Bites the Dust | Queen (1980)
  19. I Want to Break Free | Queen (1984)
  20. The Millionaire Waltz | Queen (1976)

A rec!

Apr. 3rd, 2024 06:57 pm
anghraine: a stock photo of a book with a leaf on it (book with leaf)
I took a break from the dissertation to watch Princess Weekes's nearly hour-long video on SF/F and white saviorism. It's very good IMO. I shouldn't have read the comments, which include a lot of "well actually Paul Atreides is a criticism of white saviors, how dare" responses that are predictable and generic enough to have been produced by a dedicated bot farm (especially considering that she directly addresses Herbert's attempts to criticize the trope, at some length) & various ASOIAF/Daenerys stans who also ignore the more complex argument that Princess Weekes makes in the video itself.

I have really liked some of Princess Weekes's other videos, though she can be a bit hit or miss for me in general—she doesn't always give herself the space or time to get into finer details/relevant points of a potentially complicated argument (e.g., I liked her video on imperialism in cartoons like Steven Universe and She-Ra and the Princesses of Power, but found it rather odd to talk about SPOP's depiction of imperialism without discussing the First Ones at all, esp given her argument about the levels of metaphor in the depiction of the greater Horde). But she gives herself the space she needs for this one and there's clearly a lot of research and nuanced thinking that went into it.

I've been interested for a long time in the way in which Daenerys, for instance, both is and is not racialized (in terms of her ethnicity/her cultural upbringing/her associations through conquest/the extremely white coding around the Targaryens) and it was really fascinating to see someone discuss that beyond snappy sound bites. I also thought she made a really intriguing point about the failures of subversion wrt white savior aesthetics, or even subtler complications of the narrative than outright subversion. The white savior aesthetic is the point for many fans and, regardless of the ultimate purpose of using a white savior aesthetic, deploying it gives a significant portion of the audience what they're after and they'll simply tune out the rest. (This seems akin to the old question of whether it's possible to successfully convey an anti-war theme via war films.) I also thought the connection with Haggard's Ayesha was an interesting insight; I read She in a sci-fi class during my PhD and was struck by how powerfully racist it was (even including the ever-fun "modern Greeks aren't really Greek because they're racially impure"), but I wouldn't have associated Ayesha with Daenerys.

Anyway! It was intriguing and quite good, I thought.
anghraine: a shot of an enormous statue near a mountain from amazon's the rings of power (númenor [meneltarma])
I reblogged busymagpie's illustration of Tar-Míriel here. The image is small in her blog style, but if you click on it, you can see a much larger version!

I said:

#oh this is a wonderful míriel #the only last ruler of númenor we recognize in THIS house and such a great rendition of her!
anghraine: a black and white picture of young sissy spacek and carrie fisher (subtitled 'lucy and leia') (lucy and leia (letters))
Back in January (of 2024!), I saw [personal profile] sqbr's fantastic post on gender, female characters, genderswap, and original female characters. It's here and it's great. A nuanced, complicated take on this kind of genderbending is basically a bat signal for me personally, and at first I was going to comment directly to them, but my response grew as I thought about it, so I figured I'd put my response here instead of spamming their blog. I've basically been thinking about it off and on for the last two months. If you're reading this, I'd advise you to check out their post.

So, backing up a bit: I've often found the genderswap/genderbending and original female character (OFC) discourses to be—well, in all honesty, incoherent, unfair, and deeply stupid most of the time. I feel like a lot of "the discourse" around these things is contingent on 1) a “why are we not about me” approach to gender and 2) a sort of internalized fandom hierarchy, especially with regard to original female characters vs canon female characters. As I see it, all characters are someone’s OCs. As a consequence, the framework in which female characters produced by a generally male or male-dominated creator/creative group should be considered more authentically female than female characters produced by fans who are very often actual women can seem profoundly unjust and also simply very strange.

For instance, I love a lot of the female characters in Robert Jordan’s The Wheel of Time and would not argue that they aren't actually women. Moiraine Damodred is one of my favorite female characters in fantasy, partly because she's a woman in a role that goes to men most of the time. But the "fictional women created by a male author" vibe is intense and inescapable in these books. The idea that fans' OFCs reflect a less authentic femaleness than Jordan's powerful women getting sexily spanked over and over feels pretty bizarre.

And this extends to genderswap/genderbending, given that when influential people in Hollywood or the broader entertainment industry change a male character's gender to female (either the character was previously conceptualized as male in the creative process, or the work is an adaptation of a source in which the character was male), the same wing of fandom that condemns fannish genderbending tends to be completely supportive and to see the new version as a legitimate female character. We can see this with Ripley, Azula, Joan Watson, etc. And even going the other way, nobody seems to think Luke Skywalker is somehow not a real male character even though George Lucas kept changing his gender, or that there was anything wrong with Lucas doing that. The condemnations of genderbending cis male characters to female ones are pretty specifically about fans doing this, especially female fans.

That's a longer rant than I meant it to be, but the reason I bring it up is because this has always struck me as a baffling argument as well as an unfair one. But I think [personal profile] sqbr's post highlights an important distinction between arguments about characters' femaleness and arguments about characters' female characterness, if that makes sense. The ways in which female characters tend to be framed by the narratives they appear in shape our sense of what female characters are and what is desirable for them to be.

For me, M->F genderbending is partly about my own wobbly, weak sense of gender, but also partly an expression of affection. It's satisfying to give the kind of centrality and/or Very Special Boy treatment that my male faves typically get to a girl or woman, and to explore the ways in which the kind of frameworks typically given to male characters collide with generally patriarchal settings, all without sacrificing my fave. So, say, my female Luke Skywalker has to deal with The Space Patriarchy and with being Special and Important and centered in a way typically reserved for male characters.

And that's often a major part of the appeal of M->F genderbending for me—a female character getting the structural narrative benefits typically reserved for various kinds of male characters, but without fundamentally disrupting the structure of the cast as given in canon. So turning Luke into Lucy feels fundamentally different to me, and much more satisfying, than inventing, say, a female triplet to take his narrative place.

And this is basically the exact opposite motivation as the one described in [personal profile] sqbr's post, of relating to female characters because of the narrative framework typically given them. I don't think either of us are wrong, factually or morally, we just sometimes have different tastes in terms of how we do fandom and gender.

I do think they're very correct about how a lot of female characters who are kind of presented as badass or whatever by way of receiving traits often assigned to male characters don't hit the same note as female characters who are given the kind of narrative framing often assigned to male characters. And I also think [personal profile] sqbr is right that what we all get out of female characters, what we find appealing in them, or gratifying, or admirable (or cringey, reminiscent of painful RL experiences, an annoying trope given female form Yet Again, etc), is hugely variable between people in ways that can actually be entirely legitimate for those different people. I've known female SW fans, for instance, who couldn't latch onto Leia the way I did because of the ways she's sidelined by the narrative structure of the OT (particularly ROTJ). I think that's perfectly fine, actually, even though I don't feel the same.

In addition, I had some amorphous thoughts about how when canon female characters click for me, they tend to really click, which [personal profile] sqbr also discusses in their post. An easy example for me is Attolia Irene in The Queen of Attolia, whose experiences and choices are profoundly shaped by patriarchy and who is given the kind of messy sympathy and resourceful triumph that is often reserved for characters like Gen and who is beautiful in a way I personally find hot as a lesbian. I briefly thought about what f!Eugenides/Irene would be like—cool to be sure, but tbh I'm not that interested because I'm so invested in Irene specifically.

Sort of relatedly, I do find it annoying when there's a discussion going on about favorite female characters in a canon, especially a male-dominated canon, and people respond with canonically male characters "because he's a lesbian to me" or whatever. I’ll defend a lot when it comes to genderbending, but that’s not cool.
anghraine: a shot of françois arnaud's face as cesare borgia (cesare (the borgias))
I reblogged this manip of Cesare Borgia in red, contrasted against the buildings/colors around him, and added:

#how to burn your enemies alive and look great doing it: a book by cesare borgia
anghraine: a shot of françois arnaud's face as cesare borgia (cesare (the borgias))
I reblogged this gifset of one of my favorite scenes in all three seasons of The Borgias, Cesare's literally fiery defeat of Savonarola in full cardinal's regalia (somehow it only has 200 notes as of 3/18/2024???)

Tagged: #this was so so SO good #i was just thinking about it earlier today and hunted down gifsets just because #SO GOOD #i think it's still my favorite episode of anything #even more than the s2 finale! which is also really great! #anyway #enter my fave who has *cough* done nothing wrong in his entire life #2x09 #i think! my memory of the numbering system isn't so clear as it once was #but that does not diminish my love for this scene!
anghraine: jyn meditating/praying before the scarif mission (jyn (praying))
I reblogged a gifset by garethsedwards for an AU where Cassian is an undercover agent among the Partisans at nineteen and meets sixteen-year-old Jyn. I added:

#awww now i'm having persuasion au feelings #this is lovely!
anghraine: a picture of a wooden chair with a regal white rod propped on the seat (stewards)
I reblogged a gifset/fancast for book Denethor by nenuials and added:

#whoa op #this is amazing and i'm so glad to see it #adjkf; this is just so refreshing #:))))
anghraine: a shot of an enormous statue near a mountain from amazon's the rings of power (númenor [meneltarma])
I reblogged this illustration of Elrond and Celebrían by vinyatar, and added:

#this is so cute! #and an original elrond appears! #he's appropriately pretty too haha #and celebrían's hair... aww it's so nice
anghraine: an armoured woman with a sword against a gold background (éowyn (pelennor))
I reblogged a link to Catherine Chmiel's illustration of Éowyn; her site is no longer maintained, but the Wayback Machine has a working link here.

Tagged: #i was combing through some more and saw this again! #such a good éowyn #definitely one of the closest to my initial impression of her
anghraine: a man with long black hair and a ring on his hand (faramir [hair])
I reblogged this illustration of Faramir and Éowyn by cycas on Tumblr and added:

#A SUDDEN CANON DEPICTION APPEARS #mingling hair!!!! height difference!!! i LIVE! #also this is beautiful op #kasdfjkl;fdas i've finally seen a faramir with longer hair than éowyn... i'm just #!!!!!!!!!!!

anghraine: choppy water on a misty day (sea)
I originally posted this on 17 October 2013:


This is one of my favorites from the Barcelona album—it’s so different from the rest, and I think one of the ones where their voices meld beautifully. It’s also one of the few times Freddie sings in his natural baritone voice.

IIRC, Montserrat wrote the words.

Tagged: #anyway barcelona is a great album if it's at all your sort of thing you should go listen to it :)

I reblogged it on 5 September 2018, adding:

Reblogging for Freddie’s birthday! I still genuinely think this is one of his best performances, and it’s just so different.

Then in 2020, I said:

Reblogging for no reason at all, I just feel like having it on my dash again.

Tagged: #it's both powerful and soothing and both are nice rn #also it is staggeringly beautiful


anghraine: choppy water on a misty day (sea)
I reblogged this art of Finwë and Indis's daughter Lalwen (properly Írimë or Lalwendë, but known by the shortened form in Middle-earth) and tagged it:

#ooh i like #this could very well be the face of someone who would cross the helcaraxë out of pure loyalty

anghraine: a screenshot of georgiana darcy looking serious in the 1980 p&p miniseries (georgiana)
An anon said:

I love how much you love the Darcy sibling relationship, do you have any fic recs that have a good take on their dynamic?

I replied:

Oh, thanks! <3

It’s been a long time since I read P&P fic apart from a few old D/E faves, so it’s hard to think of things off the top of my head. I occasionally browse AO3 but, hmm, I feel like my path and the fandom’s diverged pretty strongly somewhere along the way, so I don’t really read anything.

Thinking back, when I was more active in the fandom, even fic I otherwise liked tended to approach Georgiana’s personality as a problem to be solved, so a lot of the depictions of the Darcy-Georgiana relationship didn’t quite work for me. Not all, though; one of my favorite fics was Alison’s Georgiana-centric Indiscretions in the Life of an Heiress (which, iirc, does have a nice Darcy-Georgiana thread throughout,). I know it’s still possible to find, but I’m not sure exactly how.
anghraine: jyn and cassian circling each other in the hangar (jyn and cassian [hangar scene])
I reblogged [personal profile] incognitajones's pulse to pulse and added:

#oh i loved this! #it was like all the id candy of soulmates without having to wrap my brain around soulmates

[personal profile] incognitajones's summary:

After nearly dying together on the sands of Scarif, Jyn Erso and Cassian Andor are somehow linked, with painful consequences: able to sense each other’s feelings and thoughts. The only explanation Jyn can think of is that the legendary Force bonds her mother used to tell stories of are real.
anghraine: a shot of an enormous statue near a mountain from amazon's the rings of power (númenor [meneltarma])
Snowflake Challenge promotional banner featuring an image of a chubby brown and red bird surrounded by falling snow. Text: Snowflake Challenge January 1-31.

Aww, the bird for this one is really cute!

Anyway. This challenge is:

Make a rec list of fanworks!

Hmm. This is actually really hard, because I haven't interacted that much wrt fanworks lately. But here's a motley collection of a few (well, five) things I've enjoyed checking out/re-visiting lately:

Attendance by hoeratius at AO3, for The Queen's Thief: "Irene's relationship to attendants shifts as she grows up from princess, to heir, to bride, widow, and queen."
pulse to pulse by incognitajones at AO3, for SW/Rogue One: "After nearly dying together on the sands of Scarif, Jyn Erso and Cassian Andor are somehow linked, with painful consequences: able to sense each other’s feelings and thoughts. The only explanation Jyn can think of is that the legendary Force bonds her mother used to tell stories of are real."
sweet like the morning light by hippolytas at AO3, for The Queen's Thief (rated E; Eugenides/Irene): this one's mostly about Eugenides being consumed with longing for his fantastic and beautiful wife while almost everyone else hates him.
The Hope of Love: Eärendil and Elwing as Symbols of Romance in Popular Culture by imakemywings on Tumblr: fake academia about specific depictions of Eärendil and Elwing in a sort of modern Middle-earth (not just Earth, but an AU with a lot more cultural continuity). 100% my jam and good Elwing content to boot in a fandom that can be super shitty about her.
Untitled by i-am-a-lonely-visitor on Tumblr about Elros's wife and her struggle to come to terms with aging painfully as the wife of a half-elf with centuries left to live.

anghraine: simone ashley as kate sharma; text: catherine darcy (catherine darcy [simone])
Snowflake Challenge promotional banner featuring  an image of a coffee cup and saucer on a sheet with a blanket and baby’s breath and a layer of snowflakes. Text: Snowflake Challenge January 1-31.

Caught up to double digits! This specific challenge is pretty open-ended:

Five Things! The five things are totally up to you. Maybe you want to list your favorite 5 Friends episodes, or your Top 5 fandom friends, maybe you want to list all the Broadway shows you've seen or the 5 Times K-Pop fought global hunger. Go for it. This challenge is the epitome of You Do You (in 5-ish easy steps).

I've actually been thinking about this one for awhile, and while I had a few different vague ideas, I'm going to go with...

Five Favorite Fiction Tropes

In no particular order, some just for fic and some not, and subject to change:

1. Angst -> cathartic happy ending. This can be hurt/comfort, but doesn't have to strictly fit the traditional archetype—the pain can be entirely emotional, or a mix of angst and physical suffering of some kind, or whatever, as long as it's emotionally intense for my faves and then things are made right and looking substantially up by the end. This doesn't need to involve romance (nearly all my Psych fic reading was driven by wanting something terrible happening to Shawn, and Henry feeling really bad and not being a shitty father for more than 2 minutes at a time), but it certainly can ([personal profile] incognitajones's "no grave to bury sorrow in" does a great job of this with Jyn/Cassian).

2. I was talking a bit more about it earlier today, under f-lock, but romantic or intense platonic relationships between people who (when the relationship forms) can expect to live for significantly different lengths of time, or have different aging patterns, or whatever. It just adds a delicious touch of bittersweetness to things. It won't necessarily carry an entire ship for me, but if I already like it ... delicious (I adore both Aegnor/Andreth and Finrod/Andreth for this). I also just like it as a world-building thing, even if I'm not invested in the specific relationship, like in Mass Effect with small details like the random overheard conversation between a young asari (lifespan: ~1000 years) and her aging salarian stepfather (lifespan: ~40 years) as she tries to comfort him.

3. Chosen ones! Yeah, I know, I know. Whatever. I love well-intentioned characters who are just super special for reasons and this has effects (they don't need to be the literal chosen one of the whole story or universe, just very special and cool by fiat, esp if it involves awesome magic powers). Adora has ruled my heart since I was tiny (pretty sure there's a corner of my brain that just has the S5 reboot She-Ra asteroid sequence on constant replay) but my love for this can encompass less centrally chosen characters who are just really special for arbitrary reasons (like book Faramir).

4. My ostensibly cis male fave whose fandom reception is profoundly filtered through gender is now a woman. Or she's a girl, for younger faves, or she's not exactly a woman, but a mixture of feminine-leaning and does not really get gender but rolls with "woman" or "girl" as a useful approximation. Obviously this is partly about personal projection, along with just being something I find interesting to think about (in terms of how the essential personality of the character would be affected by patriarchal norms, mores, heteronormativity, etc). It makes my fave hotter to me personally, it discards the gender filter usually surrounding the character and/or their fandom reception, it mixes up a usually male-dominated cast, and (since I am a creature of spite) it aggravates very annoying people. Wins all around!

5. Quasi-femme fatales: beautiful female characters who are intense, ruthless, usually haunted or damaged by something in their history, and scary to oppose? Yeah, it's a good one, especially if a) they know perfectly well how attractive they are and don't feel the need to use it (possibly they have in the past, but that's not necessary any more, and possibly ever), and b) the narrative has some sympathy for them without them losing their edge.

Profile

anghraine: vader extending his lightsaber; text: and now for the airing of grievances! (Default)
Anghraine

April 2025

S M T W T F S
  1234 5
6789101112
1314 151617 18 19
20 21 2223242526
27282930   

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Apr. 23rd, 2025 09:12 am
Powered by Dreamwidth Studios